In The Bishop's Carriage [42]
That's what it is. It sounds like--like the knout, like--
"Nance--what in hell's--"
"I think I'm--frightened, Tom."
"Oh, the ladyfied airs of her! Ain't you going to faint, Miss Olden?"
I got up.
"No--no. Sit down, Tom. Tell me about it. How--how did you get here?"
He went to the door, opened it a bit and looked out cautiously. Mag--Mag--it hurt me--that. Why, do you suppose?
"You're sure nobody'll come in?" he asked.
I turned the key in the lock, forgetting that it didn't really lock.
"Oh, yes, I'm sure," I said. "Why?"
"Why! You have got slow. Just because I didn't say good-by to them fellows up at the Pen, and--"
"Oh! You've escaped!"
"That's what. First jail-break in fifteen years. What d'ye think of your Tommy, old girl, eh? Ain't he the gamest? Ain't you proud of him?"
My God, Mag! Proud of him. He didn't know--he couldn't see--himself. He, shut in like a wild beast, couldn't see what this year has done for him. Oh, the change--the change in him! My boy Tommy, with the gay, gallus manner, and the pretty, jolly brogue, and the laughing mouth under his brown mustache. And this man--his face is old, Mag, old--oh!--and hard--and--and tough, cheap and tough. There's something in his eyes now and about his shaven mouth--oh, Maggie, Maggie!
"Look here, Nance." He caught me by the shoulders, knocking up my chin so that he could look down squarely at me. "What's your graft? What's it to be between us? What've ye been doing all this time? Out with it! I want to know."
I shook myself free and faced him.
"I've been--Tom Dorgan, I've been to hear the greatest actors and actresses in the world say and do the finest things in the world. I've watched princesses and kings--even if they're only stage ones. I've read a new book every night--a great picture book, in which the pictures move and speak--that's the stage, Tom Dorgan. Much of it wasn't true, but a girl who's been brought up by the Cruelty doesn't have to be told what's true and what's false. I've met these people and lived with them--as one does who thinks the same thoughts and feels what others feel. I know the world now, Tom Dorgan, the real world of men and women--not the little world of crooks, nor yet the littler one of fairy stories. I've got a glimpse, too, of that other world where all the scheming and lying and cheating is changed as if by magic into something that deceives all right, but doesn't hurt. It's the world of art and artists, Tom Dorgan, where people paint their lies, or write them, or act them; where they lift money all right from men's pockets, but lift their souls and their lives, too, away from the things that trouble and bore and--and degrade.
"You needn't sneer; it's made a different Nance out of me, Tom Dorgan. And, oh, but I'm sorry for the pert little beggar we both knew that lied and stole and hid and ran and skulked! She was like a poor little ignorant traveler in a great country where she'd sized up the world from the few fool crooks she was thrown in with. She--"
"Aw, cut it!"
"Tom--does--doesn't it mean anything to you? Can't it mean lots to both of us now that--"
"Cut it, I tell you! Think I killed one guard and beat the other till I'd broke every bone in his body to come here and listen to such guff? You've been having a high old time, eh, and you never give a thought to me up there! I might 'a' rotted in that black hole for all you'd care, you--"
"Don't! I did, Tom; I did." I was shivering at the name, but I couldn't bear his thinking that way of me. "I went up once, but they wouldn't let me see you. I wrote you, but they sent back the letters. Mag went up, too, but had to come back. And that time I brought you--"
My voice trailed off. In that minute I saw myself on the way up to Sing Sing with the basket and all my hopes and all my schemes for amusing him.
And this is what I'd have seen if they'd let me in--this big, gruff, murdering beast!
Oh, yes--yes--beast is what he is, and it didn't make him look it less that he
"Nance--what in hell's--"
"I think I'm--frightened, Tom."
"Oh, the ladyfied airs of her! Ain't you going to faint, Miss Olden?"
I got up.
"No--no. Sit down, Tom. Tell me about it. How--how did you get here?"
He went to the door, opened it a bit and looked out cautiously. Mag--Mag--it hurt me--that. Why, do you suppose?
"You're sure nobody'll come in?" he asked.
I turned the key in the lock, forgetting that it didn't really lock.
"Oh, yes, I'm sure," I said. "Why?"
"Why! You have got slow. Just because I didn't say good-by to them fellows up at the Pen, and--"
"Oh! You've escaped!"
"That's what. First jail-break in fifteen years. What d'ye think of your Tommy, old girl, eh? Ain't he the gamest? Ain't you proud of him?"
My God, Mag! Proud of him. He didn't know--he couldn't see--himself. He, shut in like a wild beast, couldn't see what this year has done for him. Oh, the change--the change in him! My boy Tommy, with the gay, gallus manner, and the pretty, jolly brogue, and the laughing mouth under his brown mustache. And this man--his face is old, Mag, old--oh!--and hard--and--and tough, cheap and tough. There's something in his eyes now and about his shaven mouth--oh, Maggie, Maggie!
"Look here, Nance." He caught me by the shoulders, knocking up my chin so that he could look down squarely at me. "What's your graft? What's it to be between us? What've ye been doing all this time? Out with it! I want to know."
I shook myself free and faced him.
"I've been--Tom Dorgan, I've been to hear the greatest actors and actresses in the world say and do the finest things in the world. I've watched princesses and kings--even if they're only stage ones. I've read a new book every night--a great picture book, in which the pictures move and speak--that's the stage, Tom Dorgan. Much of it wasn't true, but a girl who's been brought up by the Cruelty doesn't have to be told what's true and what's false. I've met these people and lived with them--as one does who thinks the same thoughts and feels what others feel. I know the world now, Tom Dorgan, the real world of men and women--not the little world of crooks, nor yet the littler one of fairy stories. I've got a glimpse, too, of that other world where all the scheming and lying and cheating is changed as if by magic into something that deceives all right, but doesn't hurt. It's the world of art and artists, Tom Dorgan, where people paint their lies, or write them, or act them; where they lift money all right from men's pockets, but lift their souls and their lives, too, away from the things that trouble and bore and--and degrade.
"You needn't sneer; it's made a different Nance out of me, Tom Dorgan. And, oh, but I'm sorry for the pert little beggar we both knew that lied and stole and hid and ran and skulked! She was like a poor little ignorant traveler in a great country where she'd sized up the world from the few fool crooks she was thrown in with. She--"
"Aw, cut it!"
"Tom--does--doesn't it mean anything to you? Can't it mean lots to both of us now that--"
"Cut it, I tell you! Think I killed one guard and beat the other till I'd broke every bone in his body to come here and listen to such guff? You've been having a high old time, eh, and you never give a thought to me up there! I might 'a' rotted in that black hole for all you'd care, you--"
"Don't! I did, Tom; I did." I was shivering at the name, but I couldn't bear his thinking that way of me. "I went up once, but they wouldn't let me see you. I wrote you, but they sent back the letters. Mag went up, too, but had to come back. And that time I brought you--"
My voice trailed off. In that minute I saw myself on the way up to Sing Sing with the basket and all my hopes and all my schemes for amusing him.
And this is what I'd have seen if they'd let me in--this big, gruff, murdering beast!
Oh, yes--yes--beast is what he is, and it didn't make him look it less that he