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In the Buddha's Words - Bhikkhu Bodhi [10]

By Root 2320 0
the Compilation of Philosophy, a collection of seven treatises which subject the Buddha’s teachings to rigorous philosophical systematization.

The Abhidhamma Piṭaka is obviously the product of a later phase in the evolution of Buddhist thought than the other two Piṭakas. The Pāli version represents the Theravāda school’s attempt to systematize the older teachings. Other early schools apparently had their own Abhidhamma systems. The Sarvāstivāda system is the only one whose canonical texts have survived intact in their entirety. Its canonical collection, like the Pāli version, also consists of seven texts. These were originally composed in Sanskrit but are preserved in full only in Chinese translation. The system they define differs significantly from that of its Theravāda counterpart in both formulation and philosophy.

The Sutta Piṭaka, which contains the records of the Buddha’s discourses and discussions, consists of five collections called Nikāyas. In the age of the commentators they were also known as Āgamas, like their counterparts in northern Buddhism. The four major Nikāyas are:

1. The Dīgha Nikāya: the Collection of Long Discourses, thirty-four suttas arranged into three vaggas, or books.

2. The Majjhima Nikāya: the Collection of Middle Length Discourses, 152 suttas arranged into three vaggas.

3. The Saṃyutta Nikāya: the Collection of Connected Discourses, close to three thousand short suttas grouped into fifty-six chapters, called saṃyuttas, which are in turn collected into five vaggas.

4. The Aṅguttara Nikāya: the Collection of Numerical Discourses (or, perhaps, “Incremental Discourses”), approximately 2,400 short suttas arranged into eleven chapters, called nipātas.

The Dīgha Nikāya and Majjhima Nikāya, at first glance, seem to be established principally on the basis of length: the longer discourses go into the Dīgha, the middle-length discourses into the Majjhima. Careful tabulations of their contents, however, suggest that another factor might underlie the distinction between these two collections. The suttas of the Dīgha Nikāya are largely aimed at a popular audience and seem intended to attract potential converts to the teaching by demonstrating the superiority of the Buddha and his doctrine. The suttas of the Majjhima Nikāya are largely directed inward toward the Buddhist community and seem designed to acquaint newly ordained monks with the doctrines and practices of Buddhism.9 It remains an open question whether these pragmatic purposes are the determining criteria behind these two Nikāyas or whether the primary criterion is length, with these pragmatic purposes following as incidental consequences of their respective differences in length.

The Saṃyutta Nikāya is organized by way of subject matter. Each subject is the “yoke” (saṃyoga) that connects the discourses into a saṃyutta or chapter. Hence the title of the collection, the “connected (saṃyutta) discourses.” The first book, the Book with Verses, is unique in being compiled on the basis of literary genre. It contains suttas in mixed prose and verse, arranged in eleven chapters by way of subject. The other four books each contain long chapters dealing with the principal doctrines of Early Buddhism. Books II, III, and IV each open with a long chapter devoted to a theme of major importance, respectively, dependent origination (chapter 12: Nidānasaṃyutta); the five aggregates (chapter 22: Khandhasaṃyutta); and the six internal and external sense bases (chapter 35: Saḷāyatanasaṃyutta). Part V deals with the principal groups of training factors that, in the post-canonical period, come to be called the thirty-seven aids to enlightenment (bodhipakkhiyā dhammā). These include the Noble Eightfold Path (chapter 45: Maggasaṃyutta ), the seven factors of enlightenment (chapter 46: Bojjhaṅgasaṃyutta ), and the four establishments of mindfulness (chapter 47: Satipaṭṭhānasaṃyutta). From its contents, we might infer that the Saṃyutta Nikāya was intended to serve the needs of two groups within the monastic

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