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In the Buddha's Words - Bhikkhu Bodhi [4]

By Root 2198 0
like the ng in “song.” An o and an e always carry a stress; otherwise the stress falls on a long vowel—ā, ī, ̄,—or on a double consonant, or on ṃ.

GENERAL INTRODUCTION

UNCOVERING THE STRUCTURE OF THE TEACHING

Though his teaching is highly systematic, there is no single text that can be ascribed to the Buddha in which he defines the architecture of the Dhamma, the scaffolding upon which he has framed his specific expressions of the doctrine. In the course of his long ministry, the Buddha taught in different ways as determined by occasion and circumstances. Sometimes he would enunciate invariable principles that stand at the heart of the teaching. Sometimes he would adapt the teaching to accord with the proclivities and aptitudes of the people who came to him for guidance. Sometimes he would adjust his exposition to fit a situation that required a particular response. But throughout the collections of texts that have come down to us as authorized “Word of the Buddha,” we do not find a single sutta, a single discourse, in which the Buddha has drawn together all the elements of his teaching and assigned them to their appropriate place within some comprehensive system.

While in a literate culture in which systematic thought is highly prized the lack of such a text with a unifying function might be viewed as a defect, in an entirely oral culture—as was the culture in which the Buddha lived and moved—the lack of a descriptive key to the Dhamma would hardly be considered significant. Within this culture neither teacher nor student aimed at conceptual completeness. The teacher did not intend to present a complete system of ideas; his pupils did not aspire to learn a complete system of ideas. The aim that united them in the process of learning—the process of transmission—was that of practical training, self-transformation, the realization of truth, and unshakable liberation of the mind. This does not mean, however, that the teaching was always expediently adapted to the situation at hand. At times the Buddha would present more panoramic views of the Dhamma that united many components of the path in a graded or wide-ranging structure. But though there are several discourses that exhibit a broad scope, they still do not embrace all elements of the Dhamma in one overarching scheme.

The purpose of the present book is to develop and exemplify such a scheme. I here attempt to provide a comprehensive picture of the Buddha’s teaching that incorporates a wide variety of suttas into an organic structure. This structure, I hope, will bring to light the intentional pattern underlying the Buddha’s formulation of the Dhamma and thus provide the reader with guidelines for understanding Early Buddhism as a whole. I have selected the suttas almost entirely from the four major collections or Nikāyas of the Pāli Canon, though I have also included a few texts from the Udāna and Itivuttaka, two small books of the fifth collection, the Khuddaka Nikāya. Each chapter opens with its own introduction, in which I explain the basic concepts of Early Buddhism that the texts exemplify and show how the texts give expression to these ideas.

I will briefly supply background information about the Nikāyas later in this introduction. First, however, I want to outline the scheme that I have devised to organize the suttas. Although my particular use of this scheme may be original, it is not sheer innovation but is based upon a threefold distinction that the Pāli commentaries make among the types of benefits to which the practice of the Dhamma leads: (1) welfare and happiness visible in this present life; (2) welfare and happiness pertaining to future lives; and (3) the ultimate good, Nibbāna (Skt: nirṿ̄a).

Three preliminary chapters are designed to lead up to those that embody this threefold scheme. Chapter I is a survey of the human condition as it is apart from the appearance of a Buddha in the world. Perhaps this was the way human life appeared to the Bodhisatta—the future Buddha—as he dwelled in the Tusita heaven gazing down upon the earth,

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