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By Root 564 0

the most unusual, idea an inventor pursued. Paulin Gagne, the creator of Monopanglosse (1858), was well-known in Paris for, among other things, proposing that the French help out the famine-struck Algerians by donating their own bodies for food (or just an arm or leg, if one preferred not to die for the cause). Joseph Schipfer, who presented his Communicationssprache in 1839, when he was nearly eighty years old, also worked to promote his idea for preventing people from being accidentally buried alive (a common concern in the nineteenth century). Schipfer had been a relatively prosperous landowner in the German town of Niederwalluf who served on a state government council for a time. He moved among nobles and acted as an adviser to the prince of Salm-Salm. But by 1830 his fortunes had changed and he had somehow lost his estate. He continued to work, as he said, “for the general welfare of mankind,” by petitioning government officials to consider his proposals for the prevention of premature burial, the establishment of mortuaries in small villages, the improvement of fire brigades, and the promotion of his language, Communicationssprache. He asked only that the duchy take on the cost of printing his Communicationssprache grammar and that any profits received from sales of the booklet go to aid the distressed people in France who had recently been afflicted by a major flooding of the Rhône.

His requests were not granted, and in a subsequent letter he asked instead for a loan with which he might pay off the printing costs he had already incurred. He promised to repay the loan once he received an expected pension from Prague. Or, should his request be denied, he had a couple of oil paintings to sell, if anyone was interested.

The lot of the language inventor was almost always a hard one, and those who set out with the most confidence invariably ended up full of bitterness. Ben Prist, the Australian creator of Vela (1995), simply could not understand why his language was being ignored, and blamed some kind of anti-Australian conspiracy. “Why aren't we allowed to have the easiest language possible?” he complains. “A child can go to a library and pick-up a book on pornography. Why can't a grown-up person pick-up a book on the easiest language possible? Is this democracy? Is this human? Where are our human rights?” He has no doubt that his work is an unrecognized masterpiece for which he has become a persecuted martyr. “What is going to be prohibited next: best soup, best cakes, best clothes, best cars, or what?”

It was this overblown ridiculousness that first attracted me to the artificial-language section of the library. It was entertaining to read the unreasonable boasts, like “Mondea! The New World Language! Unequalled! Unsurpassable! New system easy to learn in one minute!” and “In a few years, we will all use Ehmay Ghee Chah … the greatest boon of the twenty-first century.”

But it was curiosity about the authors of these projects that kept me there. Why did people invest so much effort in this pursuit? What made them think they could succeed? Who were these inventors? They usually provided very little information about themselves in their books, but I gleaned what I could from the way they presented their languages. Early in my wanderings through the invented-languages section of the library, I became particularly absorbed in the backstory alluded to by Fuishiki Okamoto, who in 1962, when he was seventy-seven years old, published a description of Babm, a “man-made language” for the “future World Society” and also “a theoretical system of the supreme good, which is assured by my philosophical Learning of Knowledge (not yet translated into English).” Since it is designed to be used easily by everyone from “the natives in the Himalayas” to “the inlanders of African ravines,” Babm is “planned most simply but perfectly.” Really? Here's an example:

V pajio ci htaj, lrid cga coig pegayx pe bamb ak cop pbagt.

It means:

“I am reading this book, which is very interestingly written in Babm by a predominant scholar.”