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In the Land of Invented Languages - Arika Okrent [45]

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with a gum-cracking friendly confidence, shaking hands and winning people over.

It also seemed to already possess many of the qualities that the language inventors were after. When Count Coudenhove-Kalergi, son of an Austro-Hungarian father and a Japanese mother, founded the Paneuropean Union in 1923, he proposed that English be the language of its administration, claiming that the “ease with which the English language may be learned, and its intermediate position between the Germanic and the Romance language groups, predestine it to the position of a natural Esperanto.”

The 1920s was the last decade of vigor in the second era of language invention. Though a few international language projects continued to crop up every year (as they still do today), even the language inventors were turning toward English. These inventors accepted English as an international language, but thought it could be made into a better international language by getting rid of some of its messy inconsistencies.

Some focused exclusively on spelling reform, as the Swede Robert Zachrisson did in his Anglic (1930):

Forskor and sevn yeerz agoe our faadherz braut forth on this kontinent a nue naeshon, konseevd in liberty, and dedicated to the propozishon that aul men ar kreaeted eequal.

Others sought to regularize the grammatical irregularities, as Ruby Olive Foulk did in her Amxrikai Spek (1937):

Pronouns and verbs:

Plurals:

man, mans

Comparatives:

good, gooder, goodest

Other regularizations:

Frenchman, Americaman, Italiman, Mexicoman

historiman, scienceman, artman, musicman

The best-known project of this kind was C. K. Ogden's Basic English, first published in 1930. Ogden was a Cambridge-educated editor, writer, translator, and mischief maker. As a student, he opposed compulsory attendance at chapel and, with a few of his like-minded friends, founded a group called the Heretics Society, where he honed his skills in questioning authority and challenging dogma. He supported progressive social causes like women's rights and birth control, and generally enjoyed being on the wrong side of stuffy propriety. At his own request, his entry in Who's Who says that he spent 1946–48 “bedeviled by officials.”

Basic English was his proposal for an international language based on a reduction of English to 850 words. Though he believed in spelling reform, he was practical enough to see how unlikely it was to be accepted (he called it “a problem waiting for a Dictator”), and instead tried as much as possible to build his Basic vocabulary around words that presented “no special difficulty.” He claimed that of the 850 words he had chosen, “less than a hundred involve wanton violations of orthographical decency.” He also objected to irregular plurals and past-tense forms, blaming their persistent existence on a dastardly cabal of “printers, lexicographers, and schoolmasters.” However, realizing that an English that looked like English was more likely to succeed, he left the grammar alone.

Instead, he simplified the language by doing away with words like “disembark,” “tolerate,” and “remove” and replacing them with “get off a ship,” “put up with,” and “take away.” In this way, he eliminated almost all verbs—including “to eat” (“have a meal”) and “to want” (“have a desire”)—from his list of 850, leaving them to be expressed with what he called “operators” like “get,” “put,” “take,” “come,” “go,” “have,” and “give.” Ogden believed that such a recasting not only made English easier to learn and understand but also had the potential to cure our minds of some bad habits. He believed that much of the world's troubles could be traced to the negative effects of what he called “Word Magic,” the illusion that a thing exists “out there,” just because we have a word for it. When we are under the spell of Word Magic, we fail to see that “sin” is a moral fiction, “ideas” are “psychological fictions,” “rights” are “legal fictions,” and “cause” is “a physical fiction.” (He also feels compelled to pick on “swing” by pointing out that it is a “saxophonic

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