Incubus Dreams - Laurell K. Hamilton [200]
He was down to a cream-colored G-string. It left his ass bare and held him tight in front, so that he filled the cloth, and I knew him well enough to know that he was already excited. That he liked what he was doing. His eyes sparkled with it, his face shone with a fierce joy. He threw himself into the air again and landed in a push-up position. The audience screamed.
Requiem lowered me to the chair by the stage and lifted the reserved sign off the seat before I sat on it. I forgot to smooth my skirt down in back until I touched the cold chair. I had to sit up enough to smooth it down and not put my bare cookies on a chair that someone else would have to sit on later. Just politeness. But my eyes never left the stage.
Nathaniel did push-ups, then his hips dropped lower, and his body came up, and he did a movement that managed to look like he was fucking the stage, and at the same time, was a bigger movement than that, like a wave that went from his head to his feet. Over and over again, until the women in the audience were almost hysterical. A woman two chairs to my right was pulling down her blouse, flashing her breasts at him.
He crawled across the stage in that way that the wereanimals had, as if they had muscles in places that humans didn’t. It was graceful and dangerous, and utterly sensual, as he slinked on all fours toward the end of the stage.
From the back, with his legs tight together, he looked nude. He laid his head on the floor, and the ponytail of his auburn hair spilled out around him like a cloak. He stayed that way for a moment, in a tight ball that looked so terribly nude. Then the music changed and his head flew up, his hair spilling in an arc through the air like a shining spray of colored water, until it fell around his back, and I realized that he had it up in a high, tight ponytail. So that the hair bounced and moved with him. He used it like it was a piece of costume, to hide his body, to peek pale flesh through it, then to swirl it around him so that the hair itself was the show for a moment, then he began to do that sensuous crawl around the stage, and people began to put money in the thin strap of his G-string. There was already a pile of money at the far end of the stage, as if he’d been getting it all along, but only now was he letting them slip the bills in so close to his body.
One woman pulled on the G-string, pulling it away from his body, and he cupped his hand over the front of him, to hide, and I almost got up. Almost rode to his rescue, but he didn’t need to be rescued. He kissed her, and she let him move her hand away from his clothes and sat back like he’d stunned her. He joked and chastized and flowed through their hands like muscled water. He was always almost close enough, but never quite where they reached, if they were reaching where they shouldn’t have.
I watched the other women, and the one or two men, and I felt something. Lust, I think, it was lust, but it was as if their lust was solid enough to grab, to pull out of the air itself and wrap around my body like a coat. Jean-Claude’s voice whispered through my head, “Ma petite, do you want to know how to feed on their lust, to feed without touching?”
“You know I do,” I whispered.
And it was like before with Primo, it was as if he stepped inside my skin almost, so that I suddenly knew what he knew. I knew how to open myself up and pull in the thick air. It wasn’t like breathing, and it wasn’t like feeding when I touched someone, it was closer to literally pulling at the air with metaphysical hands and dragging the lust hand over hand and pulling it inside me. It was the oddest sensation, as if the lust were silk or satin and I pulled it inside my body, as if silk scarves could pass through a hole in my skin. The sensation