Inherit the Earth - Brian Stableford [68]
While the cops tried to catch her, and to save themselves from being bowled over, Madoc plucked the VE pak off the chest of the blackened corpse with his left hand while the right groped for the crowbar. Once he had both items securely within his grip he moved forward with a ruthless determination befitting the trainer and master of the best streetfighters in the city.
As he had told Diana, gentler methods were sometimes second best to simple brute force. He hoped that this would prove to be one of those times.
Fifteen
D
uring the hours when the last vestiges of his internal technology had tried their damnedest to maintain some semblance of function Silas Arnett had felt like a turtle floating beneath the surface of a stagnant pond. It was as if his self-consciousness had been immersed in murky, cloying depths which lay upon him like a horrid dead weight, compacting his bodily mass.
In the meantime, his weary and leaden eyes had looked out into a very different world: a world that was all light and color and action where there seemed to be no weight at all.
Now, he felt that he was the same turtle rudely stripped of its shell. His frontier with the outer world was exposed to all manner of assaults and horribly sensitive. He could hardly believe that thousands of generations of human beings had lived their entire lives becalmed in flesh as awkward and as vulnerable as this. The novelty of the experience had already worn off—and the process of psychological readaptation was neither as radical nor as difficult as he had feared—but the sensitivity remained.
No matter how still Silas sat, simple existence had become a torrent of discomforts. The straps at his wrists and ankles chafed his skin, but that was not the worst of it. The worst of it was that he could not scratch his itches, although the fact that he could not alter his position save by imperceptible shifts of weight and strain was almost as bad.
It was torture of a kind, but the wonder of it was that it was not real torture. No pincers had been applied to his nipples, no electric shocks to his genitals, no hot irons to his belly, no slivers of bamboo to his fingernails. It was as if he had been prepared for the operating theater only to discover that the surgeon had been called away . . . and had left no word as to the likely time of his return. He had been thoroughly insulted, in body and in mind, but no dire injury had as yet been added to the insult.
What made this all the more puzzling was the tape he had been shown of his “trial,” whose maker had taken the trouble to include one very audible—and rather realistic—scream, and had made some effort to imply that others had been edited out of the package.
The trial scene was gone now, and Silas was in a very different virtual environment—one which mimicked the texture of visual reality reasonably faithfully. The room in which his prison chair now seemed to be standing was also mostly white. It had white walls and a cream carpet, and its ceiling was uniformly lit by a gentle artificial bioluminescence which had very little color in it.
Silas knew that the universe of virtual reality was overabundantly well-equipped with white rooms. Far too many of the people who specialized in VE design cultivated a thorough understanding of the hardware and software they were using while neglecting the development of their own creative imagination and aesthetic sensitivity. It was becoming routine for software engineers and “interior decorators” to form up into “renaissance teams,” although youngsters like Damon Hart always figured that they could do everything themselves. Silas did not assume, however, that this particular white room was a convenient fiction. Life always imitated art, and he could easily believe that the place of his confinement had been decorated in imitation of an elementary VE.
The man who stood before