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Interesting Times - Eric Hobsbawm [86]

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was outside its supervision, certainly not the contacts of its citizens with foreign communists. Moreover, there was no scope for dissidence there or even doubt about the line that came down from the commanding heights. In some ways, and not least for linguistic reasons, I therefore found it easiest to discover there what Party membership meant under socialism.

East German communists, at least those within my knowledge, were and most remained believers, whether old KPD cadres from before 1933; youthful enthusiasts who joined in the ruined landscape of 1945 to build a new future, such as Fritz Klein, son of the editor-in-chief of one of the Weimar Republic’s most respected Conservative newspapers; second-generation communists such as my friend Siegfried Bünger, son of a worker from rural Mecklenburg; or Gerhard Schilfert, converted as a Soviet prisoner-of war, a man incapable of being other than sincerely convinced by and loyal to authority, old or new. (All these were historians.) In a way, they selected themselves. Those who could not stand the heat got out of the kitchen, which was really quite easy until the building of the Berlin Wall in 1961.

I had little direct contact with the Old Guard, except with the Kuczynskis and, through my friend the painter Georg Eisler, with his admired father Hanns, partner of Brecht and official state composer of the GDR, whom I met in the unproletarian ambiance of the Waldorf Hotel. Hanns had abandoned his wife and son, whose exile had taken them from Vienna via Moscow and Manchester back to Vienna. A more recent wife, Lou, he lost to another communist veteran from Moscow, the brilliant and romantic charmer Ernst Fischer, son of a Habsburg general and postwar star of Austrian culture and the Austrian CP until it expelled him after the Prague Spring. I owe an intellectual debt to Fischer, acknowledged in my Age of Revolution. All remained in friendly contact, as Fischer did with his first wife, a handsome aristocratic girl from Bohemia who became a Soviet agent, whose revolutionary credentials went back to the German communist insurrection of 1921. The Leipzig-Viennese Eislers were almost the quintessential Comintern family. Aunt Elfriede (known to history as Ruth Fischer) had been the young communist believer in free love who moved Lenin to his criticism of casual sex (‘the glass of water theory’). Some years later, she emerged as part of the ultra-left leadership of the KPD before disappearing into expulsion and exile having picked the wrong side in Soviet and Comintern politics. She reappeared after the war in the USA, among other things as a denouncer of her brother Gerhart Eisler. He, also a defeated (but more moderate) leader of the KPD, had become a Comintern agent of importance in China, the USA and elsewhere. He was expelled from the USA, jumping ship en route in Britain, and returned to East Germany where, during the mania of late Stalinism, he was – or so it is claimed – cast as a potential and no doubt in due course self-confessed traitor in a show trial. Fortunately the East German regime, though occupied by the Soviet forces, never joined this murderous Stalinist fashion, though it is rarely given credit for such restraint. Gerhart Eisler spent the rest of his life in politically minor jobs in the GD R, such as head of the broadcasting services, gently fending off his nephew’s questions about his past. Had he written his memoirs, which he refused to do, they would have been as meaningless as those of most diplomats: his generation did not talk. Hollywood, where he spent his exile, suited Hanns, the musician, fat, witty, cynical, and far better at succeeding there than his partner Brecht, but he went back none the less and wrote the new state’s national anthem. One can hardly accuse them of having many illusions about the reality of Comintern communism, the USSR and least of all the GDR. They stayed, controlled and harassed by a rigid political hierarchy to whom they were from time to time denounced by rivals and ambitious juniors, constantly watched, even as they were publicly

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