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Interpreter of Maladies - Jhumpa Lahiri [40]

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about the hair on his shoulders, but Miranda thought him perfect, and refused to imagine him any other way.

At the end of twelve minutes Dev would open his eyes as if he'd been awake all along, smiling at her, full of a contentment she wished she felt herself. "The best twelve minutes of the week." He'd sigh, running a hand along the backs of her calves. Then he'd spring out of bed, pulling on his sweatpants and lacing up his sneakers. He would go to the bathroom and brush his teeth with his index finger, something he told her all Indians knew how to do, to get rid of the smoke in his mouth. When she kissed him good-bye she smelled herself sometimes in his hair. But she knew that his excuse, that he'd spent the afternoon jogging, allowed him to take a shower when he got home, first thing. Apart from Laxmi and Dev, the only Indians whom Miranda had known were a family in the neighborhood where she'd grown up, named the Dixits. Much to the amusement of the neighborhood children, including Miranda, but not including the Dixit children, Mr. Dixit would jog each evening along the flat winding streets of their development in his everyday shirt and trousers, his only concession to athletic apparel a pair of cheap Keds. Every weekend, the family-mother, father, two boys, and a girl-piled into their car and went away, to where nobody knew. The fathers complained that Mr. Dixit did not fertilize his lawn properly, did not rake his leaves on time, and agreed that the Dixits' house, the only one with vinyl siding, detracted from the neighborhood's charm. The mothers never invited Mrs. Dixit to join them around the Armstrongs' swimming pool. Waiting for the school bus with the Dixit children standing to one side, the other children would say "The Dixits dig shit," under their breath, and then burst into laughter.

One year, all the neighborhood children were invited to the birthday party of the Dixit girl. Miranda remembered a heavy aroma of incense and onions in the house, and a pile of shoes heaped by the front door. But most of all she remembered a piece of fabric, about the size of a pillowcase, which hung from a wooden dowel at the bottom of the stairs. It was a painting of a naked woman with a red face shaped like a knight's shield. She had enormous white eyes that tilted toward her temples, and mere dots for pupils. Two circles, with the same dots at their centers, indicated her breasts. In one hand she brandished a dagger. With one foot she crushed a struggling man on the ground. Around her body was a necklace composed of bleeding heads, strung together like a popcorn chain. She stuck her tongue out at Miranda.

"It is the goddess Kali," Mrs. Dixit explained brightly, shifting the dowel slightly in order to straighten the image. Mrs. Dixit's hands were painted with henna, an intricate pattern of zigzags and stars. "Come please, time for cake."

Miranda, then nine years old, had been too frightened to eat the cake. For months afterward she'd been too frightened even to walk on the same side of the street as the Dixits' house, which she had to pass twice daily, once to get to the bus stop, and once again to come home. For a while she even held her breath until she reached the next lawn, just as she did when the school bus passed a cemetery.

It shamed her now. Now, when she and Dev made love, Miranda closed her eyes and saw deserts and elephants, and marble pavilions floating on lakes beneath a full moon. One Saturday, having nothing else to do, she walked to Central Square, to an Indian restaurant, and ordered a plate of tandoori chicken. As she ate she tried to memorize phrases printed at the bottom of the menu, for things like "delicious" and "water" and "check, please." The phrases didn't stick in her mind, and so she began to stop from time to time in the foreign language section of a bookstore in Kenmore Square, where she studied the Bengali alphabet in the Teach Yourself series. Once she went so far as to try to transcribe the Indian part of her name, "Mira," into her Filofax, her hand moving in unfamiliar directions, stopping

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