Interpreter of Maladies - Jhumpa Lahiri [49]
"They might call you." Eliot said eventually to Mrs. Sen. "But they might complain that you were making too much noise."
From where Eliot sat on the sofa he could detect her curious scent of mothballs and cumin, and he could see the perfectly centered part in her braided hair, which was shaded with crushed vermilion and therefore appeared to be blushing. At first Eliot had wondered if she had cut her scalp, or if something had bitten her there. But then one day he saw her standing before the bathroom mirror, solemnly applying, with the head of a thumbtack, a fresh stroke of scarlet powder, which she stored in a small jam jar. A few grains of the powder fell onto the bridge of her nose as she used the thumbtack to stamp a dot above her eyebrows. "I must wear the powder every day," she explained when Eliot asked her what it was for, "for the rest of the days that I am married."
"Like a wedding ring, you mean?"
"Exactly, Eliot, exactly like a wedding ring. Only with no fear of losing it in the dishwater."
By the time Eliot's mother arrived at twenty past six, Mrs. Sen always made sure all evidence of her chopping was disposed of. The blade was scrubbed, rinsed, dried, folded, and stowed away in a cupboard with the aid of a stepladder. With Eliot's help the newspapers were crushed with all the peel and seeds and skins inside them. Brimming bowls and colanders lined the countertop, spices and pastes were measured and blended, and eventually a collection of broths simmered over periwinkle flames on the stove. It was never a special occasion, nor was she ever expecting company. It was merely dinner for herself and Mr. Sen, as indicated by the two plates and two glasses she set, without napkins or silverware, on the square Formica table at one end of the living room.
As he pressed the newspapers deeper into the garbage pail, Sen adjust the driver's seat, the rearview mirror, the sunglasses on top of her head. She tuned the radio to a station that played symphonies. "Is it Beethoven?" she asked once, pronouncing the first part of the composer's name not "bay," but "bee," like the insect. She rolled down the window on her side, and asked Eliot to do the same. Eventually she pressed her foot to the brake pedal, manipulated the automatic gear shift as if it were an enormous, leaky pen, and backed inch by inch out of the parking space. She circled the apartment complex once, then once again. "How am I doing, Eliot? Am I going to pass?" She was continuously distracted. She stopped the car without warning to listen to something on the radio, or to stare at something, anything, in the road. If she passed a person, she waved. If she saw a bird twenty feet in front of her, she beeped the horn with her index finger and waited for it to fly away. In India, she said, the driver sat on the right side, not the left. Slowly they crept past the swing set, the laundry building, the dark green trash bins, the rows of parked cars. Each time they approached the grove of pine trees where the asphalt loop met the main road, she leaned forward, pinning all her weight against the brake as cars hurtled past. It was a narrow road painted with a solid yellow stripe, with one lane of traffic in either direction.
"Impossible, Eliot. How can I go there?"
"You need to wait until no one's coming."
"Why will not anybody slow down?"
"No one's coming now."
"But what about the car from the right, do you see? And look, a truck is behind it. Anyway, I am not allowed on the main road without Mr. Sen."
"You have to turn and speed up fast," Eliot said. That was the way his mother did it, as if without thinking. It seemed so simple when he sat beside his mother, gliding in the evenings back to the beach house. Then the road was just a road, the other cars merely part of the scenery. But when he sat with Mrs. Sen, under an autumn sun that glowed without warmth through the trees, he saw how that same stream of cars made her knuckles pale, her wrists tremble, and her English falter.
"Everyone, this people, too much