Introduction to Robert Browning [90]
I knew! -- Watch the man With whom began Love's voyage full-sail, -- (now, gnash your teeth!) When planks start, open hell beneath Unawares?
III. In the Doorway.
1.
The swallow has set her six young on the rail, And looks seaward: The water's in stripes like a snake, olive-pale To the leeward, -- On the weather-side, black, spotted white with the wind. "Good fortune departs, and disaster's behind", -- Hark, the wind with its wants and its infinite wail!
-- St. 1. Note the truth of color in vv. 3-5.
2.
Our fig-tree, that leaned for the saltness, has furled Her five fingers, Each leaf like a hand opened wide to the world Where there lingers No glint of the gold, Summer sent for her sake: How the vines writhe in rows, each impaled on its stake! My heart shrivels up and my spirit shrinks curled.
-- St. 2. her five fingers: referring to the shape of the fig-leaf.
3.
Yet here are we two; we have love, house enough, With the field there, This house of four rooms, that field red and rough, Though it yield there, For the rabbit that robs, scarce a blade or a bent; If a magpie alight now, it seems an event; And they both will be gone at November's rebuff.
-- St. 3. a bent: a bit of coarse grass; A.-S. `beonet', an adduced form; Ger. `binse'.
4.
But why must cold spread? but wherefore bring change To the spirit, God meant should mate his with an infinite range, And inherit His power to put life in the darkness and cold? Oh, live and love worthily, bear and be bold! Whom Summer made friends of, let Winter estrange!
-- St. 4. Whom Summer made friends of, etc.: i.e., let Winter (Adversity) estrange those whom Summer (Prosperity) made friends of, but let it not estrange us.
IV. Along the Beach.
1.
I will be quiet and talk with you, And reason why you are wrong. You wanted my love -- is that much true? And so I did love, so I do: What has come of it all along?
2.
I took you -- how could I otherwise? For a world to me, and more; For all, love greatens and glorifies Till God's a-glow, to the loving eyes, In what was mere earth before.
-- St. 2. love greatens and glorifies: see the poem, "Wanting is -- what?"
3.
Yes, earth -- yes, mere ignoble earth! Now do I misstate, mistake? Do I wrong your weakness and call it worth? Expect all harvest, dread no dearth, Seal my sense up for your sake?
4.
Oh Love, Love, no, Love! not so, indeed You were just weak earth, I knew: With much in you waste, with many a weed, And plenty of passions run to seed, But a little good grain too.
5.
And such as you were, I took you for mine: Did not you find me yours, To watch the olive and wait the vine, And wonder when rivers of oil and wine Would flow, as the Book assures?
-- St. 5. yours, to watch the olive and wait the vine: "olive" and "vine" are used metaphorically for the capabilities of her husband's nature.
6.
Well, and if none of these good things came, What did the failure prove? The man was my whole world, all the same, With his flowers to praise or his weeds to blame, And, either or both, to love.
-- St. 6. The failure of fruit in her husband proved the absoluteness of her love, proved that he was her all, notwithstanding.
7.
Yet this turns now to a fault -- there! there! That I do love, watch too long, And wait too well, and weary and wear; And 'tis all an old story, and my despair Fit subject for some new song:
-- St. 7. Yet this turns now to a fault: i.e., her watching the olive and waiting the vine of his nature. there! there!: I've come out plainly with the fact.
8.
"How the light, light love, he has wings to fly At suspicion of a bond: My wisdom has bidden your pleasure good-bye, Which will turn up next in a laughing eye, And why should you look beyond?"
-- St. 8. bond: refers to what is said in St. 7; why should you look beyond?: i.e., beyond a laughing eye, which does not "watch" and "wait", and thus "weary" and "wear".
III. In the Doorway.
1.
The swallow has set her six young on the rail, And looks seaward: The water's in stripes like a snake, olive-pale To the leeward, -- On the weather-side, black, spotted white with the wind. "Good fortune departs, and disaster's behind", -- Hark, the wind with its wants and its infinite wail!
-- St. 1. Note the truth of color in vv. 3-5.
2.
Our fig-tree, that leaned for the saltness, has furled Her five fingers, Each leaf like a hand opened wide to the world Where there lingers No glint of the gold, Summer sent for her sake: How the vines writhe in rows, each impaled on its stake! My heart shrivels up and my spirit shrinks curled.
-- St. 2. her five fingers: referring to the shape of the fig-leaf.
3.
Yet here are we two; we have love, house enough, With the field there, This house of four rooms, that field red and rough, Though it yield there, For the rabbit that robs, scarce a blade or a bent; If a magpie alight now, it seems an event; And they both will be gone at November's rebuff.
-- St. 3. a bent: a bit of coarse grass; A.-S. `beonet', an adduced form; Ger. `binse'.
4.
But why must cold spread? but wherefore bring change To the spirit, God meant should mate his with an infinite range, And inherit His power to put life in the darkness and cold? Oh, live and love worthily, bear and be bold! Whom Summer made friends of, let Winter estrange!
-- St. 4. Whom Summer made friends of, etc.: i.e., let Winter (Adversity) estrange those whom Summer (Prosperity) made friends of, but let it not estrange us.
IV. Along the Beach.
1.
I will be quiet and talk with you, And reason why you are wrong. You wanted my love -- is that much true? And so I did love, so I do: What has come of it all along?
2.
I took you -- how could I otherwise? For a world to me, and more; For all, love greatens and glorifies Till God's a-glow, to the loving eyes, In what was mere earth before.
-- St. 2. love greatens and glorifies: see the poem, "Wanting is -- what?"
3.
Yes, earth -- yes, mere ignoble earth! Now do I misstate, mistake? Do I wrong your weakness and call it worth? Expect all harvest, dread no dearth, Seal my sense up for your sake?
4.
Oh Love, Love, no, Love! not so, indeed You were just weak earth, I knew: With much in you waste, with many a weed, And plenty of passions run to seed, But a little good grain too.
5.
And such as you were, I took you for mine: Did not you find me yours, To watch the olive and wait the vine, And wonder when rivers of oil and wine Would flow, as the Book assures?
-- St. 5. yours, to watch the olive and wait the vine: "olive" and "vine" are used metaphorically for the capabilities of her husband's nature.
6.
Well, and if none of these good things came, What did the failure prove? The man was my whole world, all the same, With his flowers to praise or his weeds to blame, And, either or both, to love.
-- St. 6. The failure of fruit in her husband proved the absoluteness of her love, proved that he was her all, notwithstanding.
7.
Yet this turns now to a fault -- there! there! That I do love, watch too long, And wait too well, and weary and wear; And 'tis all an old story, and my despair Fit subject for some new song:
-- St. 7. Yet this turns now to a fault: i.e., her watching the olive and waiting the vine of his nature. there! there!: I've come out plainly with the fact.
8.
"How the light, light love, he has wings to fly At suspicion of a bond: My wisdom has bidden your pleasure good-bye, Which will turn up next in a laughing eye, And why should you look beyond?"
-- St. 8. bond: refers to what is said in St. 7; why should you look beyond?: i.e., beyond a laughing eye, which does not "watch" and "wait", and thus "weary" and "wear".