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Invisible man - Ralph Ellison [100]

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within me. Like the servant about whom I'd read in psychology class who, during a trance, had recited pages of Greek philosophy which she had overheard one day while she worked. It was as though I were acting out a scene from some crazy movie. Or perhaps I was catching up with myself and had put into words feelings which I had hitherto suppressed. Or was it, I thought, starting up the walk, that I was no longer afraid? I stopped, looking at the buildings down the bright street slanting with sun and shade. I was no longer afraid. Not of important men, not of trustees and such; for knowing now that there was nothing which I could expect from them, there was no reason to be afraid. Was that it? I felt light-headed, my ears were ringing. I went on.

Along the walk the buildings rose, uniform and close together. It was day's end now and on top of every building the flags were fluttering and diving down, collapsing. And I felt that I would fall, had fallen, moved now as against a current sweeping swiftly against me. Out of the grounds and up the street I found the bridge by which I'd come, but the stairs leading back to the car that crossed the top were too dizzily steep to climb, swim or fly, and I found a subway instead.

Things whirled too fast around me. My mind went alternately bright and blank in slow rolling waves. We, he, him -- my mind and I -- were no longer getting around in the same circles. Nor my body either. Across the aisle a young platinum blonde nibbled at a red Delicious apple as station lights rippled past behind her. The train plunged. I dropped through the roar, giddy and vacuum-minded, sucked under and out into late afternoon Harlem.

Chapter 12

When I came out of the subway, Lenox Avenue seemed to careen away from me at a drunken angle, and I focused upon the teetering scene with wild, infant's eyes, my head throbbing. Two huge women with spoiled-cream complexions seemed to struggle with their massive bodies as they came past, their flowered hips trembling like threatening flames. Out across the walk before me they moved, and a bright orange slant of sun seemed to boil up and I saw myself going down, my legs watery beneath me, but my head clear, too clear, recording the crowd swerving around me: legs, feet, eyes, hands, bent knees, scuffed shoes, teethy-eyed excitement; and some moving on unhalting.

And the big dark woman saying, Boy, is you all right, what's wrong? in a husky-voiced contralto. And me saying, I'm all right, just weak, and trying to stand, and her saying, Why don't y'all stand back and let the man breathe? Stand back there y'all, and now echoed by an official tone, Keep moving, break it up. And she on one side and a man on the other, helping me to stand and the policeman saying, Are you all right? and me answering, Yes, I just felt weak, must have fainted but all right now, and him ordering the crowd to move on and the others moving on except the man and woman and him saying, You sure you okay, daddy, and me nodding yes, and her saying, Where you live son, somewhere around here? And me telling her Men's House and her looking at me shaking her head saying, Men's House, Men's House, shucks that ain't no place for nobody in your condition what's weak and needs a woman to keep an eye on you awhile. And me saying, But I'll be all right now, and her, Maybe you will and maybe you won't. I live just up the street and round the corner, you better come on round and rest till you feel stronger. I'll phone Men's House and tell 'em where you at. And me too tired to resist and already she had one arm and was instructing the fellow to take the other and we went, me between them, inwardly rejecting and yet accepting her bossing, hearing, You take it easy, I'll take care of you like I done a heap of others, my name's Mary Rambo, everybody knows me round this part of Harlem, you heard of me, ain't you? And the fellow saying, Sure, I'm Jenny Jackson's boy, you know I know you, Miss Mary. And her saying, Jenny Jackson, why, I should say you do know me and I know you, you Ralston, and your mama got two

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