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Invisible man - Ralph Ellison [178]

By Root 3946 0
and forgotten . . . But who knew (and now I began to tremble so violently I had to lean against a refuse can) -- who knew but that they were the saviors, the true leaders, the bearers of something precious? The stewards of something uncomfortable, burdensome, which they hated because, living outside the realm of history, there was no one to applaud their value and they themselves failed to understand it. What if Brother Jack were wrong? What if history was a gambler, instead of a force in a laboratory experiment, and the boys his ace in the hole? What if history was not a reasonable citizen, but a madman full of paranoid guile and these boys his agents, his big surprise! His own revenge? For they were outside, in the dark with Sambo, the dancing paper doll; taking it on the lambo with my fallen brother, Tod Clifton (Tod, Tod) running and dodging the forces of history instead of making a dominating stand.

A train came. I followed them inside. There were many seats and the three sat together. I stood, holding onto the center pole, looking down the length of the car. On one side I saw a white nun in black telling her beads, and standing before the door across the aisle there was another dressed completely in white, the exact duplicate of the other except that she was black and her black feet bare. Neither of the nuns was looking at the other but at their crucifixes, and suddenly I laughed and a verse I'd heard long ago at the Golden Day paraphrased itself in my mind:

Bread and Wine,

Bread and Wine,

Your cross ain't nearly so

Heavy as mine . . .

And the nuns rode on with lowered heads.

I looked at the boys. They sat as formally as they walked. From time to time one of them would look at his reflection in the window and give his hat brim a snap, the others watching him silently, communicating ironically with their eyes, then looking straight ahead. I staggered with the lunging of the train, feeling the overhead fans driving the hot air down upon me. What was I in relation to the boys, I wondered. Perhaps an accident, like Douglass. Perhaps each hundred years or so men like them, like me, appeared in society, drifting through; and yet by all historical logic we, I, should have disappeared around the first part of the nineteenth century, rationalized out of existence. Perhaps, like them, I was a throwback, a small distant meteorite that died several hundred years ago and now lived only by virtue of the light that speeds through space at too great a pace to realize that its source has become a piece of lead . . . This was silly, such thoughts. I looked at the boys; one tapped another on the knee, and I saw him remove three rolled magazines from an inner pocket, passing two around and keeping one for himself. The others took theirs silently and began to read in complete absorption. One held his magazine high before his face and for an instant I saw a vivid scene: The shining rails, the fire hydrant, the fallen policeman, the diving birds and in the mid-ground, Clifton, crumpling. Then I saw the cover of a comic book and thought, Clifton would have known them better than I. He knew them all the time. I studied them closely until they left the train, their shoulders rocking, their heavy heel plates clicking remote, cryptic messages in the brief silence of the train's stop.

I came out of the subway, weak, moving through the heat as though I carried a heavy stone, the weight of a mountain on my shoulders. My new shoes hurt my feet. Now, moving through the crowds along 125th Street, I was painfully aware of other men dressed like the boys, and of girls in dark exotic-colored stockings, their costumes surreal variations of downtown styles. They'd been there all along, but somehow I'd missed them. I'd missed them even when my work had been most successful. They were outside the groove of history, and it was my job to get them in, all of them. I looked into the design of their faces, hardly a one that was unlike someone I'd known down South. Forgotten names sang through my head like forgotten scenes in dreams. I moved with the

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