Invisible man - Ralph Ellison [22]
"Anyway, I could hear 'em breathin' and though I hadn't been it made me sleepy. Then I heard the gal say, 'Daddy,' soft and low in her sleep and I looked, tryin' to see if she was still awake. But all I can do is smell her and feel her breath on my hand when I go to touch her. She said it so soft I couldn't be sure I had heard anything, so I just laid there listenin'. Seems like I heard a whippoorwill callin', and I thought to myself, Go on away from here, we'll whip ole Will when we find him. Then I heard the clock up there at the school strikin' four times, lonesome like.
"Then I got to thinkin' 'bout way back when I left the farm and went to live in Mobile and 'bout a gal I had me then. I was young then -- like this young fellow here. Us lived in a two-story house 'longside the river, and at night in the summertime we used to lay in bed and talk, and after she'd gone off to sleep I'd be awake lookin' out at the lights comin' up from the water and listenin' to the sounds of the boats movin' along. They used to have musicianers on them boats, and sometimes I used to wake her up to hear the music when they come up the river. I'd be layin' there and it would be quiet and I could hear it comin' from way, way off. Like when you quail huntin' and it's getting dark and you can hear the boss bird whistlin' tryin' to get the covey together again, and he's coming toward you slow and whistlin' soft, cause he knows you somewhere around with your gun. Still he got to round them up, so he keeps on comin'. Them boss quails is like a good man, what he got to do he do.
"Well, that's the way the boats used to sound. Comin' close to you from far away. First one would be comin' to you when you almost sleep and it sounded like somebody hittin' at you slow with a big shiny pick. You see the pick-point comin' straight at you, comin' slow too, and you can't dodge; only when it goes to hit you it ain't no pick a'tall but somebody far away breakin' little bottles of all kindsa colored glass. It's still comin' at you though. Still comin'. Then you hear it close up, like when you up in the second-story window and look down on a wagonful of watermelons, and you see one of them young juicy melons split wide open a-layin' all spread out and cool and sweet on top of all the striped green ones like it's waitin' just for you, so you can see how red and ripe and juicy it is and all the shiny black seeds it's got and all. And you could hear the sidewheels splashin' like they don't want to wake nobody up; and us, me and the gal, would lay there feelin' like we was rich folks and them boys on the boats would be playin' sweet