• Choose a category
• All
• Classic-Fiction

By Root 3903 0

foul upon us. This was our world, they said as they described it to us, this our horizon and its earth, its seasons and its climate, its spring and its summer, and its fall and harvest some unknown millennium ahead; and these its floods and cyclones and they themselves our thunder and lightning; and this we must accept and love and accept even if we did not love. We must accept -- even when those were absent, and the men who made the railroads and ships and towers of stone, were before our eyes, in the flesh, their voices different, unweighted with recognizable danger and their delight in our songs more sincere seeming, their regard for our welfare marked by an almost benign and impersonal indifference. But the words of the others were stronger than the strength of philanthropic dollars, deeper than shafts sunk in the earth for oil and gold, more awe-inspiring than the miracles fabricated in scientific laboratories. For their most innocent words were acts of violence to which we of the campus were hypersensitive though we endured them not.

And there on the platform I too had stridden and debated, a student leader directing my voice at the highest beams and farthest rafters, ringing them, the accents staccato upon the ridgepole and echoing back with a tinkling, like words hurled to the trees of a wilderness, or into a well of slate-gray water; more sound than sense, a play upon the resonances of buildings, an assault upon the temples of the ear:

Ha! to the gray-haired matron in the final row. Ha! Miss Susie, Miss Susie Gresham, back there looking at that co-ed smiling at that he-ed -- listen to me, the bungling bugler of words, imitating the trumpet and the trombone's timbre, playing thematic variations like a baritone horn. Hey! old connoisseur of voice sounds, of voices without messages, of newsless winds, listen to the vowel sounds and the crackling dentals, to the low harsh gutturals of empty anguish, now riding the curve of a preacher's rhythm I heard long ago in a Baptist church, stripped now of its imagery: No suns having hemorrhages, no moons weeping tears, no earthworms refusing the sacred flesh and dancing in the earth on Easter morn. Ha! singing achievement, Ha! booming success, intoning, Ha! acceptance, Ha! a river of word-sounds filled with drowned passions, floating, Ha! with wrecks of unachievable ambitions and stillborn revolts, sweeping their ears, Ha! ranged stiff before me, necks stretched forward with listening ears, Ha! a-spraying the ceiling and a-drumming the dark-stained after rafter, that seasoned crossarm of torturous timber mellowed in the kiln of a thousand voices; playing Ha! as upon a xylophone; words marching like the student band, up the campus and down again, blaring triumphant sounds empty of triumphs. Hey, Miss Susie! the sound of words that were no words, counterfeit notes singing achievements yet unachieved, riding upon the wings of my voice out to you, old matron, who knew the voice sounds of the Founder and knew the accents and echo of his promise; your gray old head cocked with the young around you, your eyes closed, face ecstatic, as I toss the word sounds in my breath, my bellows, my fountain, like bright-colored balls in a water spout -- hear me, old matron, justify now this sound with your dear old nod of affirmation, your closed-eye smile and bow of recognition, who'll never be fooled with the mere content of words, not my words, not these pinfeathered flighters that stroke your lids till they flutter with ecstasy with but the mere echoed noise of the promise. And after the singing and outward marching, you seize my hand and sing out quavering, "Boy, some day you'll make the Founder proud." Ha! Susie Gresham, Mother Gresham, guardian of the hot young women on the puritan benches who couldn't see your Jordan's water for their private steam; you, relic of slavery whom the campus loved but did not understand, aged, of slavery, yet bearer of something warm and vital and all-enduring, of which in that island of shame we were not ashamed -- it was to you on the final row I directed