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Irish Fairy Tales [45]

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flew to his aid and wounded Oscar. Oisi'n, Oscar's father, could not abide that; he dashed in and quelled Art Og. Then Rough Hair mac Morna wounded Oisin and was himself tumbled by mac Lugac, who was again wounded by Gara mac Morna.

The banqueting hall was in tumult. In every part of it men were giving and taking blows. Here two champions with their arms round each other's necks were stamping round and round in a slow, sad dance. Here were two crouching against each other, looking for a soft place to hit. Yonder a big-shouldered person lifted another man in his arms and threw him at a small group that charged him. In a retired corner a gentleman stood in a thoughtful attitude while he tried to pull out a tooth that had been knocked loose.

"You can't fight," he mumbled, "with a loose shoe or a loose tooth."

"Hurry up with that tooth," the man in front of him grum-bled, "for I want to knock out another one."

Pressed against the wall was a bevy of ladies, some of whom were screaming and some laughing and all of whom were calling on the men to go back to their seats.

Only two people remained seated in the hall.

Goll sat twisted round watching the progress of the brawl critically, and Fionn, sitting opposite, watched Goll.

Just then Faelan, another of Fionn's sons, stormed the hall with three hundred of the Fianna, and by this force all Goll's people were put out of doors, where the fight continued.

Goll looked then calmly on Fionn.

"Your people are using their weapons," said he.

"Are they?" Fionn inquired as calmly, and as though addressing the air.

"In the matter of weapons--!" said Goll.

And the hard-fighting pillar of battle turned to where his arms hung on the wall behind him. He took his solid, well-balanced sword in his fist, over his left arm his ample, bossy shield, and, with another side-look at Fionn, he left the hall and charged irresistibly into the fray.

Fionn then arose. He took his accoutrements from the wall also and strode out. Then he raised the triumphant Fenian shout and went into the combat.

That was no place for a sick person to be. It was not the corner which a slender-fingered woman would choose to do up her hair; nor was it the spot an ancient man would select to think quietly in, for the tumult of sword on sword, of axe on shield, the roar of the contending parties, the crying of wounded men, and the screaming of frightened women destroyed peace, and over all was the rallying cry of Goll mac Morna and the great shout of Fionn.

Then Fergus True-Lips gathered about him all the poets of the Fianna, and they surrounded the combatants. They began to chant and intone long, heavy rhymes and incantations, until the rhythmic beating of their voices covered even the noise of war, so that the men stopped hacking and hewing, and let their weapons drop from their hands. These were picked up by the poets and a reconciliation was effected between the two parties.

But Fionn affirmed that he would make no peace with clann-Morna until the matter had been judged by the king, Cormac mac Art, and by his daughter Ailve, and by his son Cairbre of Ana Life' and by Fintan the chief poet. Goll agreed that the affair should be submitted to that court, and a day was appointed, a fortnight from that date, to meet at Tara of the Kings for judgement. Then the hall was cleansed and the banquet recommenced.

Of Fionn's people eleven hundred of men and women were dead, while of Goll's people eleven men and fifty women were dead. But it was through fright the women died, for not one of them had a wound or a bruise or a mark.



CHAPTER III

AT the end of a fortnight Fionn and Goll and the chief men of the Fianna attended at Tara. The king, his son and daughter, with Flahri, Feehal, and Fintan mac Bocna sat in the place of judgement, and Cormac called on the witnesses for evidence.

Fionn stood up, but the moment he did so Goll mac Morna arose also.

"I object to Fionn giving evidence," said he.

"Why so?" the king asked.

"Because in any matter that concerned me Fionn would
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