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Iron Council - China Mieville [104]

By Root 1536 0
stolen track-mile to the other.

—Do we have any meteoromancers?

—There’s a girl Toma. Someone shakes their head. —Can whistle up a gust dries her clothes but, you know, parlour hex really . . .

—We need someone can raise a gale—

—No. One of the researchers speaks. He is a young man who has grown his beard and wears the sweaty clothes of the workforce. He is shaking his head. —I know what you’re wanting. You’re thinking, through the smokestone? No. You saw what happened when Malke was caught in it? He nearly died. You saw what it was like.

—There must be ways to know when it’s coming . . .

The young man shrugs. —Pressure, he says. —Cracking. A few things. From geysers. He shrugs again. —We looked it up when it trapped us. It’s too many things.

—But there are ways of telling . . .

—Yes, but Uzman, you’re not thinking. These maps are best-guesses. We’re in the Middling Sweeps. And there’s one thing we do know that’s there. The man runs his finger up the map. The car sways. —See? What this is?

It is a crosshatched patch of land, inked in red. Two hundred miles from them, less than a month at this absurd pace. It abuts the smokestone, or where the old cartographers thought the smokestone might be.

—You know what that is?

Of course Uzman does. They all do. It is the cacotopic stain.

—You ain’t taking us to the stain, Uzman.

—I can’t take you anywhere. The council goes where it decides it will. But I’m telling you the only thing we can do. You decide if it’s what you want or not. And if not I’ll stay and fight, and we die.

—It’s the stain.

—No, no it ain’t the stain. It’s the edges. It’s the outskirts.

Uzman has a look on him. He stands and seems to glimmer. He sweats from the heat of his own pipes, eats coal. His lips are black.

—It ain’t the stain. We have to go through the smokestone flats—

—If they’re there.

—If they’re there. We have to go through the smokestone flats, and beyond that’s the outskirts of the cacotopos. Even if they got through the stone, no one’ll follow us there.

—And you know why, Uzman, right? For good damn reason.

—We got no choice. No, that ain’t so. We run. Leave the train to rot. Run be fReemade. Or we can keep it. All our sweat. The road. But if we keep it, we have to go do this. We have to make it out, far away, or we die. We have to go west. And west of here? He prods the waxed chart. —The cacotopic zone. Just the edges.

He sounds as if he is pleading.

—People’ve dipped in there before. We’ll be all right. We have to.

He pleads.

—Just the edges.

It opened a half millennium before, a rift through which spilt great masses of the feral cancerous force, Torque. A badland beyond understanding. Where men might become rat-things made of glass and rats devilish potentates or unnatural sounds and jaguars and trees might become moments that could not have happened, might become impossible angles. Where monsters go and are born. Where the land, and the air, and time are sick.

—It’s no matter, anyway, someone says. —We ain’t got no meteoromancers, and we ain’t got anyone can call up air elementals, and we ain’t going through smokestone without someone can push wind.

Judah leans on the table; his fringe dances before his eyes. He looks down at the ink landscape.

—Well, he says. —Well now.

Somaturgy, golemetry, is an intervention. Making servants from unlive matter is about persuasion, insinuation. A strategy of life-giving.

—Well now.

I can make a golem out of air, thinks Judah. A clutch of air in the air. Have it run with us. Air running through air. It will exhaust him. But he knows he can get them passage through the smoke.

Judah knows that they will go.

He walks with Uzman, and a golem walks with them. Shambling vegetable pulp. They are a strange troika: the Remade sending steam from the pipes that burrow him; Judah tall and bony, his beard like a furring of dirt; the golem putting down its shapeless feet. The train slips forward in tiny motions.

The moonlight is the colour of lipid fluid, as if the night has an unclosing wound. Behind them Judah sees the train

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