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to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys.

Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.

WHERE I WORK

Many people assume The Office is shot in Scranton, Pennsylvania, because we take pains to shoot on locations that are green and East Coast–looking. Other people think we shoot on a picturesque studio lot like you see on the tour of Universal Studios, where Jaws is swimming happily near the Desperate Housewives cul-de-sac and down the block from an immolating car from the Backdraft set. Not so.

Anyone who comes to visit the set of The Office always says the same thing when they leave: “Holy crap, that was scary!” This is because we shoot at the end of a dead-end street on an industrial block of Panorama City, in the San Fernando Valley, which sounds great—who doesn’t love panoramas? But don’t be fooled! The name is a trick. At one point Panorama City was part of Van Nuys, but Van Nuys did whatever the opposite of secede is to it. Expelled it? I’ll put it this way. Van Nuys took one look at Panorama City and was like, “Uh, get your own name. We don’t want to have anything to do with you.”

Rainn Wilson, violent ogre.

We’re at the end of a block with a gun parts warehouse, a neon sign store, and a junkyard. Our street is also a favored drag-racing strip for competitive, bored Mexican teenagers. We’re always having to stop filming and wait for the noise to die down from junkyard dogs barking and gun parts being drilled. Come to think of it, there might actually be an immolating car around here once in a while. Take that, Universal Studios!

I love our set because we are isolated from other shows. Isolation is good, because there are no distractions to the work, and believe me, I get distracted easily. There is no cool shopping or dining or anything near us whatsoever, so we can only focus on working on the show. It makes us feel sequestered and secluded, which I think is good for creativity. Also, I can run out at any time and buy my gun parts.

KELLY KAPOOR GETS GIFT BAGS

When I started attending events associated with The Office, I started to receive gift bags. I’d recall breathless accounts from magazines of gifts like sapphire earrings, lifetime memberships to fancy gyms, gift certificates for total facial reconstruction plastic surgery, week-long stays at wildlife reserves where you get to touch the lions, and $500 jars of miracle face cream made from human placenta. It seemed like the greatest racket ever, and in 2006, I started to participate in it.

The way it works is you go to an awards show for which you’ve spent a crazy amount of money getting dressed up. After you win or lose in your categories, there is a nontelevised portion of the evening where you and every other person at the event gets herded into a giant windowless room and fed a hot buffet of food on par with a medium-fancy bar mitzvah. The thing is the food tastes insanely good because you’ve not eaten anything all day. After mingling for a little while, and mentally ranking the gowns of the other actresses so you can call your mom and give her the scoop, you trade in a parking ticket–like stub to some stressed-out looking woman at the exit and she gives you a black canvas bag packed with goodies. You get really excited. And then you open it up.

What I Have Gotten in My Gift Bags