Is This Bottle Corked__ The Secret Life of Wine - Kathleen Burk [47]
Pliny predated the 1855 classification technique by nearly two thousand years when he listed Italian wines in order of merit, for, he says, “who can doubt … that some kinds of wine are more agreeable than others, or who does not know that one of two wines from the same vat can be superior to the other, surpassing its relation either owing to its cask or from some accidental circumstance?” He then classifies Italian wines into first-, second-, third-, and fourth-class wines, other wines, and foreign wines. He does not, however, follow fashion blindly. Many commentators have exalted Falernian wine, and indeed, he remarks that “no other wine has a higher rank at the present day.” Pliny, however, puts it into the second class, although he does praise the estate of Faustus because of “the care taken in its cultivation;” but, he adds, “the reputation of this district also is passing out of vogue through the fault of paying more attention to quantity than to quality.” Modern parallels leap to mind.
Finally, he is firm on the vexed question of terroir. In his discussion of the areas in Italy where good wines were made, he gives Campania as an example of a region that, “whether by means of careful cultivation or by accident,” good wines had recently been produced from new areas of cultivation. On the other hand, there were areas where decent wine would never be made, no matter what efforts were taken: “as for the wines of Pompei [sic], their topmost improvement is a matter of ten years, and they gain nothing from age; also, they are detected as unwholesome because of a headache which lasts till noon on the following day.” Therefore, “these instances, if I am not mistaken, go to show that it is the country and the soil that matters, not the grape, and that it is superfluous to go on with a long enumeration of kinds, since the same vine has a different value in different places.” In any case, “everyone has his own favorites,” and “I would not deny that other wines also deserve a high reputation, but the ones that I have enumerated are those on which the general agreement of the ages will be found to have pronounced judgment.”
So what can we say about Pliny as wine judge and wine writer? First of all, he was almost unbelievably hardworking; he also tended to castigate those whom he thought were not working as hard. His curiosity was capacious and his command of detail admirable. Although he