Isaac Bickerstaff [31]
hundred pounds, and lost two thousand. This naturally set the Major upon the account of Edge-hill fight, and ended in a duel of Jack Ogle's.
Old Reptile was extremely attentive to all that was said, though it was the same he had heard every night for these twenty years, and upon all occasions winked upon his nephew to mind what passed.
This may suffice to give the world a taste of our innocent conversation, which we spun out till about ten of the clock, when my maid came with a lantern to light me home. I could not but reflect with myself, as I was going out, upon the talkative humour of old men, and the little figure which that part of life makes in one who cannot employ this natural propensity in discourses which would make him venerable. I must own, it makes me very melancholy in company, when I hear a young man begin a story; and have often observed, that one of a quarter of an hour long in a man of five-and-twenty, gathers circumstances every time he tells it, till it grows into a long Canterbury tale of two hours by that time he is three-score.
The only way of avoiding such a trifling and frivolous old age is to lay up in our way to it such stores of knowledge and observation as may make us useful and agreeable in our declining years. The mind of man in a long life will become a magazine of wisdom or folly, and will consequently discharge itself in something impertinent or improving. For which reason, as there is nothing more ridiculous than an old trifling story-teller, so there is nothing more venerable than one who has turned his experience to the entertainment and advantage of mankind.
In short, we, who are in the last stage of life, and are apt to indulge ourselves in talk, ought to consider if what we speak be worth being heard, and endeavour to make our discourse like that of Nestor, which Homer compares to the flowing of honey for its sweetness.
I am afraid I shall be thought guilty of this excess I am speaking of, when I cannot conclude without observing that Milton certainly thought of this passage in Homer, when, in his description of an eloquent spirit, he says--
"His tongue dropped manna."
XVI.--A VERY PRETTY POET.
Will's Coffee-house, April 24.
I yesterday came hither about two hours before the company generally make their appearance, with a design to read over all the newspapers; but, upon my sitting down, I was accosted by Ned Softly, who saw me from a corner in the other end of the room, where I found he had been writing something. "Mr. Bickerstaff," says he, "I observe by a late paper of yours, that you and I are just of a humour; for you must know, of all impertinences, there is nothing which I so much hate as news. I never read a gazette in my life; and never trouble my head about our armies, whether they win or lose, or in what part of the world they lie encamped." Without giving me time to reply, he drew a paper of verses out of his pocket, telling me, "that he had something which would entertain me more agreeably, and that he would desire my judgment upon every line, for that we had time enough before us till the company came in."
Ned Softly is a very pretty poet, and a great admirer of easy lines. Waller is his favourite: and as that admirable writer has the best and worst verses of any among our great English poets, Ned Softly has got all the bad ones without book, which he repeats upon occasion, to show his reading, and garnish his conversation. Ned is indeed a true English reader, incapable of relishing the great and masterly strokes of this art; but wonderfully pleased with the little Gothic ornaments of epigrammatical conceits, turns, points, and quibbles, which are so frequent in the most admired of our English poets, and practised by those who want genius and strength to represent, after the manner of the ancients, simplicity in its natural beauty and perfection.
Finding myself unavoidably engaged in such a conversation, I was resolved to turn my pain into a pleasure and to divert myself as well as
Old Reptile was extremely attentive to all that was said, though it was the same he had heard every night for these twenty years, and upon all occasions winked upon his nephew to mind what passed.
This may suffice to give the world a taste of our innocent conversation, which we spun out till about ten of the clock, when my maid came with a lantern to light me home. I could not but reflect with myself, as I was going out, upon the talkative humour of old men, and the little figure which that part of life makes in one who cannot employ this natural propensity in discourses which would make him venerable. I must own, it makes me very melancholy in company, when I hear a young man begin a story; and have often observed, that one of a quarter of an hour long in a man of five-and-twenty, gathers circumstances every time he tells it, till it grows into a long Canterbury tale of two hours by that time he is three-score.
The only way of avoiding such a trifling and frivolous old age is to lay up in our way to it such stores of knowledge and observation as may make us useful and agreeable in our declining years. The mind of man in a long life will become a magazine of wisdom or folly, and will consequently discharge itself in something impertinent or improving. For which reason, as there is nothing more ridiculous than an old trifling story-teller, so there is nothing more venerable than one who has turned his experience to the entertainment and advantage of mankind.
In short, we, who are in the last stage of life, and are apt to indulge ourselves in talk, ought to consider if what we speak be worth being heard, and endeavour to make our discourse like that of Nestor, which Homer compares to the flowing of honey for its sweetness.
I am afraid I shall be thought guilty of this excess I am speaking of, when I cannot conclude without observing that Milton certainly thought of this passage in Homer, when, in his description of an eloquent spirit, he says--
"His tongue dropped manna."
XVI.--A VERY PRETTY POET.
Will's Coffee-house, April 24.
I yesterday came hither about two hours before the company generally make their appearance, with a design to read over all the newspapers; but, upon my sitting down, I was accosted by Ned Softly, who saw me from a corner in the other end of the room, where I found he had been writing something. "Mr. Bickerstaff," says he, "I observe by a late paper of yours, that you and I are just of a humour; for you must know, of all impertinences, there is nothing which I so much hate as news. I never read a gazette in my life; and never trouble my head about our armies, whether they win or lose, or in what part of the world they lie encamped." Without giving me time to reply, he drew a paper of verses out of his pocket, telling me, "that he had something which would entertain me more agreeably, and that he would desire my judgment upon every line, for that we had time enough before us till the company came in."
Ned Softly is a very pretty poet, and a great admirer of easy lines. Waller is his favourite: and as that admirable writer has the best and worst verses of any among our great English poets, Ned Softly has got all the bad ones without book, which he repeats upon occasion, to show his reading, and garnish his conversation. Ned is indeed a true English reader, incapable of relishing the great and masterly strokes of this art; but wonderfully pleased with the little Gothic ornaments of epigrammatical conceits, turns, points, and quibbles, which are so frequent in the most admired of our English poets, and practised by those who want genius and strength to represent, after the manner of the ancients, simplicity in its natural beauty and perfection.
Finding myself unavoidably engaged in such a conversation, I was resolved to turn my pain into a pleasure and to divert myself as well as