Island - Aldous Huxley [95]
Will nodded. “Offerings of white orchids to an image of compassion and enlightenment—it certainly seems harmless enough. And after what I saw yesterday, I’d be prepared to put in a good word for cosmic dancing and divine copulation.”
“And remember,” said Vijaya, “this sort of thing isn’t compulsory. Everybody’s given a chance to go further. You asked what that child thinks she’s doing. I’ll tell you. With one part of her mind, she thinks she’s talking to a person—an enormous, divine person who can be cajoled with orchids into giving her what she wants. But she’s already old enough to have been told about the profounder symbols behind Amitabha’s statue and about the experiences that give birth to those profounder symbols. Consequently with another part of her mind she knows perfectly well that Amitabha isn’t a person. She even knows, because it’s been explained to her, that if prayers are sometimes answered it’s because, in this very odd psychophysical world of ours, ideas have a tendency, if you concentrate your mind on them, to get themselves realized. She knows too that this temple isn’t what she still likes to think it is—the house of Buddha. She knows it’s just a diagram of her own unconscious mind—a dark little cubbyhole with lizards crawling upside down on the ceiling and cockroaches in all the crevices. But at the heart of the verminous darkness sits Enlightenment. And that’s another thing the child is doing—she’s unconsciously learning a lesson about herself, she’s being told that if she’d only stop giving herself suggestions to the contrary, she might discover that her own busy little mind is also Mind with a large M.”
“And how soon will the lesson be learned? When will she stop giving herself those suggestions?”
“She may never learn. A lot of people don’t. On the other hand, a lot of people do.”
He took Will’s arm and led him into the deeper darkness behind the image of Enlightenment. The chanting grew more distinct, and there, hardly visible in the shadows, sat the chanter—a very old man, naked to the waist and, except for his moving lips, as rigidly still as Amitabha’s golden statue.
“What’s he intoning?” Will asked.
“Something in Sanskrit.”
Seven incomprehensible syllables, again and again.
“Good old vain repetition!”
“Not necessarily vain,” Mrs. Rao objected. “Sometimes it really gets you somewhere.”
“It gets you somewhere,” Vijaya elaborated, “not because of what the words mean or suggest, but simply because they’re being repeated. You could repeat Hey Diddle Diddle and it would work just as well as Om or Kyrie Eleison or La ila illa ’llah. It works because when you’re busy with the repetition of Hey Diddle Diddle or the name of God, you can’t be entirely preoccupied with yourself. The only trouble is that you can hey-diddle-diddle yourself downwards as well as upwards—down into the not-thought of idiocy as well as up into the not-thought of pure awareness.”
“So, I take it,