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Istanbul Noir - Mustafa Ziyalan [0]

By Root 337 0
This collection is comprised of works of fiction. All names, characters, places, and incidents are the product of the authors’ imaginations. Any resemblance to real events or persons, living or dead, is entirely coincidental.

Published by Akashic Books

©2008 Akashic Books

Series concept by Tim McLoughlin and Johnny Temple

Istanbul map by Ayegül zer

eISBN-13: 978-1-617-75006-9

ISBN-13: 978-1-933354-62-0

Library of Congress Control Number: 2008925932

All rights reserved

Akashic Books

PO Box 1456

New York, NY 10009

info@akashicbooks.com

www.akashicbooks.com

ALSO IN THE AKASHIC NOIR SERIES:

Baltimore Noir, edited by Laura Lippman

Bronx Noir, edited by S.J. Rozan

Brooklyn Noir, edited by Tim McLoughlin

Brooklyn Noir 2: The Classics, edited by Tim McLoughlin

Brooklyn Noir 3: Nothing but the Truth,

edited by Tim McLoughlin & Thomas Adcock

Chicago Noir, edited by Neal Pollack

D.C. Noir, edited by George Pelecanos

D.C. Noir 2: The Classics, edited by George Pelecanos

Detroit Noir, edited by E.J. Olsen & John C. Hocking

Dublin Noir (Ireland), edited by Ken Bruen

Havana Noir (Cuba), edited by Achy Obejas

Las Vegas Noir, edited by Jarret Keene & Todd James Pierce

London Noir (England), edited by Cathi Unsworth

Los Angeles Noir, edited by Denise Hamilton

Manhattan Noir, edited by Lawrence Block

Manhattan Noir 2: The Classics, edited by Lawrence Block

Miami Noir, edited by Les Standiford

New Orleans Noir, edited by Julie Smith

Queens Noir, edited by Robert Knightly

San Francisco Noir, edited by Peter Maravelis

Toronto Noir, edited by Janine Armin & Nathaniel G. Moore

Trinidad Noir, edited by Lisa Allen-Agostini & Jeanne Mason

Twin Cities Noir, edited by Julie Schaper & Steven Horwitz

Wall Street Noir, edited by Peter Spiegelman

FORTHCOMING:

Barcelona Noir (Spain), edited by Adriana Lopez & Carmen Ospina

Copenhagen Noir (Denmark), edited by Bo Tao Michaelis

Delhi Noir (India), edited by Hirsh Sawhney

Indian Country Noir, edited by Liz Martínez & Sarah Cortez

Lagos Noir (Nigeria), edited by Chris Abani

Mexico City Noir (Mexico), edited by Paco I. Taibo II

Moscow Noir (Russia), edited by Natalia Smirnova & Julia Goumen

Paris Noir (France), edited by Aurélien Masson

Phoenix Noir, edited by Patrick Millikin

Portland Noir, edited by Kevin Sampsell

Richmond Noir, edited by Andrew Blossom,

Brian Castleberry & Tom De Haven

Rome Noir (Italy), edited by Chiara Stangalino & Maxim Jakubowski

San Francisco Noir 2: The Classics, edited by Peter Maravelis

Seattle Noir, edited by Curt Colbert

Acknowledgments

Mustafa thanks Pınar Yeilolu for giving him such a good reason to live, and for not so simply bearing with him through those Istanbul Noir times; Cem Mumcu for encouraging him to plunge into the project; Murat Eyübolu for making him look good in his photographs; his aunt Nil Taneri for inspiring him with her street map of Istanbul which she autographed for him in 1967; and Re-fike Türker, his aunt from Kumkapı, whose death was the death of Istanbul a little bit.

Amy thanks Dilek Akdemir for, well, everything. She also thanks Tansel Demirel for being a translator’s best friend; Irene Gates for valuable feedback; dil Aydoan for blatant honesty, bold encouragement, and Foça; participants of the Cunda International Workshop for Translators of Turkish Literature for input and motivation; Tülin Er for constant reassurance; and her mother for reading to her while she was still in the womb.

Both Mustafa and Amy would also like to thank the tough-lovin’ (but not necessarily tough to love) folks at Akashic; Ayegül zer for the killer map; Deniz Ourlu for the stark and striking cover photo (and Murat Ourlu and Deniz Akkol for helping us find it); and Mel Kenne for making connections.

TABLE OF CONTENTS


Title Page

Copyright Page

Introduction

PART I: LUST & VENGEANCE

SMAL GÜZELSOY

The Tongue of the Flames

Büyükada

FERYAL TLMAÇ

Hitching in the Lodos

Bebek

MEHMET BLÂL

The Stepson

Sirkeci

BARI MÜSTECAPLIOLU

An Extra Body

Altunizade

PART II: PUSHING LIMITS, CROSSING LINES

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