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It Looked Different on the Model - Laurie Notaro [0]

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PRAISE FOR LAURIE NOTARO

Spooky Little Girl

“A comedic killer … Notaro crafts a wondrously realistic afterlife.… She is able to make death laughable in a heart-felt way.”

—Bust

“A crazy, funny version of the afterlife.”

—Minneapolis Star Tribune

“A novel that is full of laughter … [Notaro] has a winner with this hilarious take on the joys and sorrows of the ‘surprised demised.’ ”

—ChronWatch

“A fun story that mixes [Notaro’s] unique humor with a sweet paranormal tale of friendship, family, and unfinished business.”

—BookBitch

“Pure, unexpurgated Notaro … Again [she] turns on the truth serum, and the results once more are riotously funny.… Spooky Little Girl is a great summer beach read. The freshness it brings to a tired idea in chick lit—girl loses everything and exacts revenge by making herself over—is, well, refreshing.”

—San Antonio Express-News

“An amazing story.”

—Seattle Post-Intelligencer

“We’re always thrilled to know that the prolific scribe of Autobiography of a Fat Bride: True Tales of a Pretend Adulthood and We Thought You Would Be Prettier: True Tales of the Dorkiest Girl Alive will crack us the you-know-what up with a new book just when we’re casting about for something to read.”

—Phoenix New Times


The Idiot Girl and the Flaming Tantrum of Death

“Hilarious.”

—Seattle Post-Intelligencer

“[Laurie Notaro] writes with a flair that leaves you knowing she would be a gal you could commiserate with over a bucket of longneck beers. If you need to laugh over the little annoyances of life, this is a book for you. If you need to cry over a few of them, Flaming Tantrum can fit that bill, too.”

—St. Louis Post-Dispatch

“A double-handful of chuckle-worthy vignettes … Notaro blends sardonic, often self-deprecating comedy with disarming sincerity.”

—Publishers Weekly

“For pure laugh-out-loud, then read-out-loud fun, it’s hard to beat this humor writer.”

—New Orleans Times-Picayune


There’s a (Slight) Chance I Might be Going to Hell

“[Notaro’s] quirky humor, which she’s previously showcased in her cult-classic essays on girly dorkdom, runs rampant.”

—Bust

“Notaro is a natural comic, a graduate of the Jennifer Weiner school of self-deprecation, but she’s best when she’s being nasty.”

—Houston Chronicle


I Love Everybody

“Notaro is everywoman. She is every woman who has ever made a bad judgment, overindulged (you pick the vice), been on a fad diet, been misunderstood at work, been at odds with her mother or been frustrated with her grandmother’s obsession with Lifetime TV, while somehow being a little too familiar with the conflicted, star-crossed person-ages of those movies.”

—San Antonio Express-News


Autobiography of a Fat Bride

“Notaro’s humor is self-deprecating, gorily specific, and raunchy.”

—A.V. Club (The Onion)

“[Notaro] may be the funniest writer in this solar system.”

—The Miami Herald

ALSO BY LAURIE NOTARO


Spooky Little Girl

The Idiot Girl and the Flaming Tantrum of Death

There’s a (Slight) Chance I Might Be Going to Hell

An Idiot Girl’s Christmas

We Thought You Would Be Prettier

I Love Everybody (and Other Atrocious Lies)

Autobiography of a Fat Bride

The Idiot Girls’ Action-Adventure Club

It Looked Different on the Model is a work of nonfiction.

Some names and identifying details have been changed.


A Villard Books Trade Paperback Original

Copyright © 2011 by Laurie Notaro

All rights reserved.

Published in the United States by Villard Books,

an imprint of The Random House Publishing Group,

a division of Random House, Inc., New York.

VILLARD BOOKS and VILLARD & “V” CIRCLED Design

are registered trademarks of Random House, Inc.

Library of Congress Cataloging-in-Publication Data

Notaro, Laurie.

It looked different on the model: epic tales of impending shame and infamy /

Laurie Notaro.

p. cm.

eISBN: 978-0-345-52631-1

1. Notaro, Laurie. 2. American wit and humor. 3. Humorists, American—21st century—Biography. 4. Young women—Humor. I. Title.

PS3614.O785Z474 2011

814′.6—dc22 2011002205

www.villard.com

Cover design: Rob Grom

Cover image composite:

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