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Jacqueline Kennedy - Caroline Kennedy [8]

By Root 1084 0
young women of Jacqueline's generation were not encouraged to sound like intellectuals. Nor would it help her husband for her to vent her more caustic opinions around anyone but their most trusted friends. But as this oral history confirms, she knew considerably more about John Kennedy's political life than she let on to outsiders, and her influence on his official relationships was substantial.

Jacqueline Kennedy would have been the last person—during these interviews or later—to suggest that she was some kind of hidden White House policy guru. As she conveys in this volume, she considered it her role not to badger her husband about labor safety or international law, as Eleanor Roosevelt had with Franklin, but to provide JFK with a "climate of affection," with intriguing dinner guests, appealing food, and "the children in good moods," to help him escape the pressures of leading the Free World through one of the most dangerous periods of the Cold War. To the surprise of both President and First Lady—as this oral history shows, they had both worried that voters would find her too effete—she became, with her beauty and star quality, a huge political asset. Legions of American women wanted to walk, talk, dress, wear their hair, and furnish their homes like Jackie. It was not casually that in the fall of 1963, the President lobbied her to join him on campaign trips to Texas and California. On his final morning, before an audience in Fort Worth, he joked about his wife's popular appeal, mock-complaining that "nobody wonders what Lyndon and I wear!"2

As First Lady, Mrs. Kennedy was not a feminist, at least as the word is understood today. Betty Friedan's pathbreaking The Feminine Mystique was published in 1963, but the full-fledged women's movement was almost a decade away. In this book, Mrs. Kennedy suggests that women should find their sense of purpose through their husbands, and that the old-fashioned style of marriage is "the best." She describes her first White House social secretary as "sort of a feminist" and thus "so different from me." She even observes that women should stay out of politics because they are too "emotional" (views that by the 1970s she emphatically dropped). Despite such utterances, no one can argue that this First Lady did not make her own strong-minded choices about her life and work. Resisting those who counseled her to emulate her more conventional predecessors, she made it clear from the start that her supreme job was not to attend charity events or political banquets but to raise her children well amid the blast of attention around a president's family. And other public projects she undertook at no one's behest but her own. Through the run of these interviews, Mrs. Kennedy gives short shrift to those achievements. This is because Schlesinger's oral histories were intended to focus on her husband, and because, in 1964, even so knowing an historian as Schlesinger regarded a First Lady's story as a side event, which caused him to treat Jacqueline primarily as a source on her husband. This is unfortunate because among the First Ladies of the twentieth century, probably only Eleanor Roosevelt had a greater impact on the Americans of her time.

One of Jacqueline Kennedy's contributions was to herald the importance of historical preservation. The 1950s and 1960s were a period when American architects and city planners were eager to raze urban monuments and neighborhoods that seemed dated in order to make room for new highways, office buildings, stadiums, and public housing. Without Mrs. Kennedy's intervention, some of Washington, D.C.'s crown jewels would have met a similar fate—for example, Lafayette Square, facing the White House, which Pierre L'Enfant, the original architect of Washington, D.C., had envisaged as "the President's park." A plan was in fast motion to destroy almost all of the nineteenth-century houses and buildings on the east and west sides of Lafayette Park, including the mansion of Dolley Madison's widowhood and the 1861 building that had been the capital's first art museum. In their

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