Jailbird - Kurt Vonnegut [86]
And imagine, if you will, the effect this conversation was having on Leland Clewes, who was sitting right next to me. My eyes were closed, as I say, and I was in such an ecstasy of timelessness and placelessness that I might as well have been having sexual intercourse with his wife before his eyes. He forgave me, of course. He forgives everybody for everything. But he still had to be impressed by how lazily in love Sarah and I could still be on the telephone.
What is more protean than adultery? Nothing in this world.
“I am thinking of going on a diet,” said Sarah.
“I know how you can lose twenty pounds of ugly fat right away,” I said.
“How?” she said.
“Have your head cut off,” I said.
Clewes could hear only my half of the conversation, of course, so he could only hear the premise or the snapper of a joke, but never both. Some of the lines were highly suggestive.
I asked Sarah, I remember, if she smoked after intercourse.
Clewes never heard her reply, which was this: “I don’t know. I never looked.” And then she went on: “What did you do before you were a waiter?”
“I used to clean birdshit out of cuckoo clocks,” I said.
“I have often wondered what the white stuff in birdshit was,” she said.
“That’s birdshit, too,” I told her. “What kind of work do you do?”
“I work in the bloomer factory,” she said.
“Is it a good job in the bloomer factory?” I inquired archly.
21
OH,” SHE SAID. “I can’t complain. I pull down about ten thousand a year.” Sarah coughed, and that, too, was a cue, which I nearly missed.
“That’s quite a cough you have there,” I said in the nick of time.
“It won’t stop,” she said.
“Take two of these pills,” I said. “They’re just the thing.”
So she made swallowing sounds: “gluck, gluck, gluck.” And then she asked what was in the pills.
“The most powerful laxative known to medical science,” I said.
“Laxative!” she said.
“Yes,” I said, “now you don’t dare cough.”
We did the joke, too, about a sick horse I supposedly had. I have never really owned a horse. The veterinarian gave me half a pound of purple powder that I was to give the horse, supposedly. The veterinarian told me to make a tube out of paper, and to put the powder inside the tube, and then to slip the tube into the horse’s mouth, and to blow it down its throat.
“How is the horse?” said Sarah.
“Oh, the horse is fine,” I said.
“You don’t look so good,” she said.
“No,” I said, “that is because the horse blew first.”
“Can you still imitate your mother’s laugh?” she said.
This was not the premise of yet another joke. Sarah genuinely wanted to hear me imitate my mother’s laugh, something I used to do a lot for Sarah on the telephone. I had not tried the trick in years. I not only had to make my voice high: I also had to make it beautiful.
The thing was this: Mother never laughed out loud. She had been trained to stifle her laughter when a servant girl in Lithuania. The idea was that a master or guest, hearing a servant laughing somewhere in the house, might suspect that the servant was laughing about him.
So when my mother could not help laughing, she made tiny, pure sounds like a music box—or perhaps like bells far away. It was accidental that they were so beautiful.
So—forgetful of where I was, I now filled my lungs and tightened my throat, and to please my old girl friend, I reincarnated the laughing part of my mother.
It was at that point that Arpad Leen and Frank Ubriaco came back into the living room. They heard the end of my song.
I told Sarah that I had to hang up now, and I did hang up.
Arpad Leen stared at me hard. I had heard women speak of men’s undressing them mentally. Now I was finding out what that felt like. As things turned out, that was exactly what Leen was doing to me: imagining what I would look like with no clothes on.
He was beginning to suspect that I was Mrs. Jack Graham, checking up on him while disguised as a man.
22
I COULD NOT KNOW THAT, of course—that he thought I might be Mrs. Graham. So his subsequent courting