Jailbird - Kurt Vonnegut [93]
As I was being measured for a suit by Morty Sills, I found it unbearable to think of Mary Kathleen’s not being claimed by anyone. Clyde Carter was there, too, fresh off the plane from Atlanta. He, too, was getting a brand-new wardrobe, even before Arpad Leen had seen him.
He was scared.
I told him not to be.
So I went to the morgue after lunch, and I claimed her. It was easily done. Who else would want that tiny body? It had no relatives. I was its only friend.
I had one last look at it. It was nothing. There was nobody there anymore. “Nobody home.”
I found a mortician only one block away. I had him pick up the body and embalm it and put it into a serviceable casket. There was no funeral. I did not even accompany it to the grave, which was a crypt in a great concrete honeycomb in Morristown, New Jersey. The cemetery had advertised in the Times that morning. Each crypt had a tasteful little bronze door on which the tenant’s name was engraved.
Little did I dream that the man who did the engraving of the doors would be arrested for drunken driving about two years later, and would comment on what an unusual name the arresting officer had. He had come across it only once before—at his lugubrious place of work. The name of the officer, a Morris County deputy sheriff, actually, was Francis X. O’Looney.
O’Looney would become curious as to how the woman in the crypt was related to him.
O’Looney, using the sparse documents at the cemetery, would trace Mary Kathleen back to the morgue in New York City. There he would get a set of her fingerprints. On the outside chance that she had been arrested or had spent time in a mental institution, he would send the prints to the F.B.I.
Thus would RAMJAC be brought tumbling down.
• • •
There was a bizarre sidelight to the case. O’Looney, before he finally found out who Mary Kathleen really was, fell in love with his dream of her when she was young. He had it all wrong, incidentally. He dreamed that she was tall and buxom and black-haired, whereas she had been short and scrawny and red-haired. He dreamed that she was an immigrant who had gone to work for an eccentric millionaire in a spooky mansion, and that she had been both attracted and repelled by this man, and that he had abused her to the point of death.
All this came out in divorce proceedings brought against O’Looney by his wife of thirty-two years. It was front-page stuff in the tabloids for a week or more. O’Looney was already famous by then. The papers called him “The man who blew the whistle on RAMJAC,” or variations on that theme. Now his wife was claiming that his affections had been alienated by a ghost. He wouldn’t sleep with her anymore. He stopped brushing his teeth. He was chronically late to work. He became a grandfather, and he didn’t care. He wouldn’t even look at the baby.
What was particularly sick about his behavior was that, even after he found out what Mary Kathleen had really been like, he stayed in love with the original dream.
“Nobody can ever take that away from me,” he said. “It’s the most precious thing I own.”
He has been relieved of his duties, I hear. His wife is suing him again—this time for her share in the small fortune he got for the movie rights to his dream. The film is to be shot in a spooky old mansion in Morristown. If you can believe the gossip columns, there is to be a talent search for an actress to play the Irish immigrant girl. Al Pacino has already agreed to play Sheriff O’Looney, and Kevin McCarthy to play the eccentric millionaire.
• • •
So I dallied too long, and now I must go to prison again, they say. My high jinks with Mary Kathleen’s remains were not crimes in and of themselves, since corpses have no more rights than do orts from last night’s midnight snack. My actions were accessory, however, to the commission of a class E felony, which according to Section 190.30 of the Penal Law of New York State consists of unlawfully concealing a will.
I had entombed the will