Jane Eyre (Harper Collins) - Charlotte Bronte [209]
“Mr. Rivers!” I interrupted.
“I can guess your feelings,” he said, “but restrain them for a while: I have nearly finished; hear me to the end. Of Mr. Rochester’s character I know nothing, but the one fact that he professed to offer honourable marriage to this young girl, and that at the very altar she discovered he had a wife yet alive, though a lunatic. What his subsequent conduct and proposals were is a matter of pure conjecture; but when an event transpired which rendered inquiry after the governess necessary, it was discovered she was gone—no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency: advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?”
“Just tell me this,” said I, “and since you know so much, you surely can tell it me—what of Mr. Rochester? How and where is he? What is he doing? Is he well?”
“I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess—the nature of the event which requires her appearance.”
“Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?”
“I suppose not.”
“But they wrote to him?”
“Of course.”
“And what did he say? Who has his letters?”
“Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed ‘Alice Fairfax.’”
I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings—what object for his strong passions—had he sought there? I dared not answer the question. Oh, my poor master—once almost my husband—whom I had often called “my dear Edward!”
“He must have been a bad man,” observed Mr. Rivers.
“You don’t know him—don’t pronounce an opinion upon him,” I said, with warmth.
“Very well,” he answered quietly: “and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won’t ask the governess’s name, I must tell it of my own accord. Stay! I have it here—it is always more satisfactory to see important points written down, fairly committed to black and white.”
And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words “Jane Eyre”—the work doubtless of some moment of abstraction.
“Briggs wrote to me of a Jane Eyre:” he said, “the advertisements demanded a Jane Eyre: I knew a Jane Elliott.—I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the alias?”
“Yes—yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do.”
“Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you—what he wanted with you.”
“Well, what did he want?”
“Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich—merely that—nothing more.”
“I!—rich?”
“Yes, you, rich—quite an heiress.”
Silence succeeded.
“You must prove your