Jane Eyre (Harper Collins) - Charlotte Bronte [67]
“A little.”
“Of course: that is the established answer. Go into the library—I mean, if you please.—(Excuse my tone of command; I am used to say, ‘Do this,’ and it is done: I cannot alter my customary habits for one new inmate.)—Go, then, into the library; take a candle with you; leave the door open; sit down to the piano, and play a tune.”
I departed, obeying his directions.
“Enough!” he called out in a few minutes. “You play a little, I see; like any other English school-girl; perhaps rather better than some, but not well.”
I closed the piano and returned. Mr. Rochester continued—“Adèle showed me some sketches this morning, which she said were yours. I don’t know whether they were entirely of your doing; probably a master aided you?”
“No, indeed!” I interjected.
“Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don’t pass your word unless you are certain: I can recognise patchwork.”
“Then I will say nothing, and you shall judge for yourself, sir.”
I brought the portfolio from the library.
“Approach the table,” said he; and I wheeled it to his couch. Adèle and Mrs. Fairfax drew near to see the pictures.
“No crowding,” said Mr. Rochester: “take the drawings from my hand as I finish with them; but don’t push your faces up to mine.”
He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him.
“Take them off to the other table, Mrs. Fairfax,” said he, “and look at them with Adèle;—you” (glancing at me) “resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?”
“Yes.”
“And when did you find time to do them? They have taken much time, and some thought.”
“I did them in the last two vacations I spent at Lowood, when I had no other occupation.”
“Where did you get your copies?”
“Out of my head.”
“That head I see now on your shoulders?”
“Yes, sir.”
“Has it other furniture of the same kind within?”
“I should think it may have: I should hope—better.”
He spread the pictures before him, and again surveyed them alternately.
While he is so occupied, I will tell you, reader, what they are: and first, I must premise that they are nothing wonderful. The subjects had, indeed, risen vividly on my mind. As I saw them with the spiritual eye, before I attempted to embody them, they were striking; but my hand would not second my fancy, and in each case it had wrought out but a pale portrait of the thing I had conceived.
These pictures were in water-colours. The first represented clouds low and livid, rolling over a swollen sea: all the distance was in eclipse; so, too, was the foreground; or rather, the nearest billows, for there was no land. One gleam of light lifted into relief a half-submerged mast, on which sat a cormorant, dark and large, with wings flecked with foam; its beak held a gold bracelet set with gems, that I had touched with as brilliant tints as my palette could yield, and as glittering distinctness as my pencil could impart. Sinking below the bird and mast, a drowned corpse glanced through the green water; a fair arm was the only limb clearly visible, whence the bracelet had been washed or torn.
The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman’s shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star.
The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights