Japanese Tales of Mystery & Imagination - Edogawa Rampo [3]
Dear Madam: I do hope you will forgive this presumptuous letter from a complete stranger. What I am about to write, Madam, may shock you no end. However, I am determined to lay bare before you a confession—my own —and to describe in detail the terrible crime I have committed.
For many months I have hidden myself away from the light of civilization, hidden, as it were, like the devil himself. In this whole wide world no one knows of my deeds. However, quite recently a queer change took place in my conscious mind, and I just couldn't bear to keep my secret any longer. I simply had to confess!
All that I have written so far must certainly have awakened only perplexity in your mind. However, I beseech you to bear with me and kindly read my communi-cation to the bitter end, because if you do, you will fully understand the strange workings of my mind and the reason why it is to you in particular that I make this confession.
I am really at a loss as to where to begin, for the facts which I am setting forth are all so grotesquely out of the ordinary. Frankly, words fail me, for human words seem utterly inadequate to sketch all the details. But, nevertheless, I will try to lay bare the events in chronological order, just as they happened.
First let me explain that I am ugly beyond description. Please bear this fact in mind; otherwise I fear that if and when you do grant my ultimate request and do see me, you may be shocked and horrified at the sight of my face—after so many months of unsanitary living. However, I implore you to believe me when I state that, despite the extreme ugliness of my face, within my heart there has always burned a pure and overwhelming passion!
Next, let me explain that I am a humble workman by trade. Had I been born in a well-to-do family, I might have found the power, with money, to ease the torture of my soul brought on by my ugliness. Or perhaps, if I had been endowed by nature with artistic talents, I might again have been able to forget my bestial countenance and seek consolation in music or poetry. But, unblessed with any such talents, and being the unfortunate creature that I am, I had no trade to turn to except that of a humble cabinet-maker. Eventually my specialty became that of making assorted types of chairs.
In this particular line I was fairly successful, to such a degree in fact that I gained the reputation of being able to satisfy any kind of order, no matter how complicated. For this reason, in woodworking circles I came to enjoy the special privilege of accepting only orders for luxury chairs, with complicated requests for unique carvings, new designs for the back-rest and arm-supports, fancy padding for the cushions and seat—all work of a nature which called for skilled hands and patient trial and study, work which an amateur craftsman could hardly undertake.
The reward for all my pains, however, lay in the sheer delight of creating. You may even consider me a braggart when you hear this, but it all seemed to me to be the same type of thrill which a true artist feels upon creating a masterpiece.
As soon as a chair was completed, it was my usual custom to sit on it to see how it felt, and despite the dismal life of one of my humble profession, at such moments I experienced an indescribable thrill. Giving my mind free rein, I used to imagine the types of people who would eventually curl up in the chair, certainly people of nobility, living in palatial residences, with exquisite, priceless paintings hanging on the walls, glittering crystal chandeliers hanging from the ceilings, expensive rugs on the floor, etc.; and one particular chair, which I imagined standing before a mahogany table, gave me the vision of fragrant Western flowers scenting the air with sweet perfume. Enwrapped in these strange visions, I came to feel that I, too, belonged to such settings, and I derived no end of pleasure from imagining myself to be an influential figure in society.
Foolish thoughts such as these kept coming to me in