Joe Wilson and His Mates [58]
whom Dave wished to see round there -- `Old Pinter' (James Poynton),
Californian and Victorian digger of the old school. He'd been prospecting
down the creek, carried his pick over his shoulder -- threaded through the eye
in the heft of his big-bladed, short-handled shovel that hung behind --
and his gold-dish under his arm.
I mightn't get a chance again to explain what a gold-dish
and what gold-washing is. A gold washing-dish is a flat dish --
nearer the shape of a bedroom bath-tub than anything else
I have seen in England, or the dish we used for setting milk --
I don't know whether the same is used here: the gold-dish measures,
say, eighteen inches across the top. You get it full of wash dirt,
squat down at a convenient place at the edge of the water-hole,
where there is a rest for the dish in the water just below its own depth.
You sink the dish and let the clay and gravel soak a while,
then you work and rub it up with your hands, and as the clay dissolves,
dish it off as muddy water or mullock. You are careful
to wash the pebbles in case there is any gold sticking to them.
And so till all the muddy or clayey matter is gone, and there is nothing
but clean gravel in the bottom of the dish. You work this off carefully,
turning the dish about this way and that and swishing the water round in it.
It requires some practice. The gold keeps to the bottom of the dish,
by its own weight. At last there is only a little half-moon
of sand or fine gravel in the bottom lower edge of the dish --
you work the dish slanting from you. Presently the gold,
if there was any in the dirt, appears in `colours', grains, or little nuggets
along the base of the half-moon of sand. The more gold there is in the dirt,
or the coarser the gold is, the sooner it appears. A practised digger
can work off the last speck of gravel, without losing a `colour',
by just working the water round and off in the dish. Also a careful digger
could throw a handful of gold in a tub of dirt, and, washing it off
in dishfuls, recover practically every colour.
The gold-washing `cradle' is a box, shaped something like a boot,
and the size of a travelling trunk, with rockers on, like a baby's cradle,
and a stick up behind for a handle; on top, where you'll put your foot
into the boot, is a tray with a perforated iron bottom;
the clay and gravel is thrown on the tray, water thrown on it,
and the cradle rocked smartly. The finer gravel and the mullock
goes through and down over a sloping board covered with blanket,
and with ledges on it to catch the gold. The dish was mostly used
for prospecting; large quantities of wash dirt was put through
the horse-power `puddling-machine', which there isn't room to describe here.
`'Ello, Dave!' said Pinter, after looking with mild surprise
at the size of Dave's waste-heap. `Tryin' for the second bottom?'
`Yes,' said Dave, guttural.
Pinter dropped his tools with a clatter at the foot of the waste-heap
and scratched under his ear like an old cockatoo, which bird he resembled.
Then he went to the windlass, and resting his hands on his knees,
he peered down, while Dave stood by helpless and hopeless.
Pinter straightened himself, blinking like an owl, and looked carelessly
over the graveyard.
`Tryin' for a secon' bottom,' he reflected absently. `Eh, Dave?'
Dave only stood and looked black.
Pinter tilted back his head and scratched the roots of his chin-feathers,
which stuck out all round like a dirty, ragged fan held horizontally.
`Kullers is safe,' reflected Pinter.
`All right?' snapped Dave. `I suppose we must let him into it.'
`Kullers' was a big American buck nigger, and had been Pinter's mate
for some time -- Pinter was a man of odd mates; and what Pinter meant
was that Kullers was safe to hold his tongue.
Next morning Pinter and his coloured mate appeared on the ground early,
Pinter with some tools and the nigger with a windlass-bole on his shoulders.
Pinter chose a spot about three panels or thirty feet along the other fence,
the