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May, Florence. The Life of Johannes Brahms. 2 vols. 1905. Reprint. Neptune City, N.J.: Paganiniana Publications, 1981.

McColl, Sandra. Music Criticism in Vienna 1896–1897: Critically Moving Forms. Oxford: Clarendon Press, 1996.

McCorkle, Donald M., ed. Johannes Brahms: Variations on a Theme of Haydn. Critical score. New York: W. W. Norton and Co., 1976.

McCorkle, Margit L. Johannes Brahms: Thematisch-Bibliographisches Werkverzeichnis. Munich: G. Henle Verlag, 1984.

———, with Donald M. McCorkle. “Five Fundamental Obstacles in Brahms Source Research.” Acta musicologiae 48/2, 1976.

Morton, Frederic. A Nervous Splendor: Vienna 1888/1889. New York: Penguin Books, 1979.

Musgrave, Michael. “Brahms the Progressive: Another View.” The Musical Times, May 1971.

———. “Brahms’s First Symphony: Thematic Coherence and Its Secret Origin.” Music Analysis 2/2, July 1983.

———. “The Cultural World of Brahms.” In Brahms: Biographical Documentary and Analytical Studies, edited by Robert Pascall. Cambridge and New York: Cambridge University Press, 1983.

———. “Frei aber Froh: A Reconsideration.” 19th-Century Music 3/3, March 1980.

———. “Historical Influences in the Growth of Brahms’s ‘Requiem.’ ” Music and Letters 53/1, 1972.

———. The Music of Brahms. London and Boston: Routledge & Kegan Paul, 1985.

———, ed. Brahms 2: Biographical, Documentary and Analytical Studies. Cambridge and New York: Cambridge University Press, 1987.

Neighbor, Oliver. “Brahms and Schumann: Two Opus Nines and Beyond.” 19th-Century Music 7/84, April 1984.

Niemann, Walter. Brahms. Translated by Catherine Alison Phillips. New York: Tudor Publishing Company, 1945.

Notley, Margaret. “Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna.” 19th-Century Music XVII/2, Fall 1993.

Ostwald, Peter. Schumann: The Inner Voices of a Musical Genius. Boston: Northeastern University Press, 1985.

———. “Johannes Brahms, Solitary Altruist.” In Brahms and His World, edited by Walter Frisch. Princeton, N.J.: Princeton University Press, 1990.

Pascall, Robert. “Brahms and Schubert.” The Musical Times 116/1592, 1975.

———. “The Publication of Brahms’s Third Symphony: A Crisis in Dissemination.” In Brahms Studies, edited by George S. Bozarth. Oxford: Clarendon Press, 1990.

———. “Brahms’s First Symphony Slow Movement.” The Musical Times. October 1981.

———, ed. Brahms: Biographical, Documentary and Analytical Studies. Cambridge and New York: Cambridge University Press, 1983.

Pulver, Jeffrey. “Brahms and the Influence of Joachim.” The Musical Times 1/1/1925.

Quigley, Thomas. Johannes Brahms: An Annotated Bibliography of the Literature Through 1982. Metuchen, N.J., and London: Scarecrow Press, 1990.

Reich, Nancy B. Clara Schumann: The Artist and the Woman. New York: Cornell University Press, 1985.

Reynolds, Christopher. “A Choral Symphony by Brahms?” 19th-Century Music IX/1, 1985.

Rosen, Charles. “Influence: Plagiarism and Inspiration.” 19th-Century Music IV/2, 1980.

———. Sonata Forms. New York and London: W. W. Norton and Co., 1980.

———. The Romantic Generation. Cambridge: Harvard University Press, 1995.

Roses, Daniel F., M. D. “Brahms and Billroth.” Newsletter of the American Brahms Society V/1, Spring 1987.

Sams, Eric. “Brahms and His Musical Love Letters.” Musical Times 112, April 1971.

———. “Brahms and His Clara Themes.” Musical Times 112, May 1971.

———. Brahms Songs. Seattle: University of Washington Press, 1972.

Schauffler, Robert Haven. The Unknown Brahms: His Life, Character and Works; Based on New Material. New York: Dodd, Mead and Company, 1933.

Schoenberg, Arnold. “Brahms the Progressive.” In Style and Idea: Selected Writings of Arnold Schoenberg, edited by Leonard Stein, with translations by Leo Black. 1975. Rev. ed. Berkeley and Los Angeles: University of California Press, 1984.

Schonberg, Harold C. The Great Pianists: From Mozart to the Present. Rev. ed. New York: Simon and Schuster, 1987.

Schönzeler, Hans-Hubert. Dvořák. London and New York: Marion Boyars, 1984.

Schorske, Carl E. Fin-de-siècle Vienna: Politics and Culture.