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John Halifax [56]

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his soup at eleven. You will remember?"

"Yes, Miss March."

Upon which, Miss March shut the door at once, and vanished.

She wore a grey silken gown. I glanced at John, but he did not see me, his eyes were fixed on the door, which had disclosed and concealed the momentary picture. Its momentariness impressed it the more vividly on my memory--I have it there still.

A girl, in early but not precocious maturity, rather tall, of a figure built more for activity and energy than the mere fragility of sylph-like grace: dark-complexioned, dark-eyed, dark-haired--the whole colouring being of that soft darkness of tone which gives a sense of something at once warm and tender, strong and womanly. Thorough woman she seemed--not a bit of the angel about her. Scarcely beautiful; and "pretty" would have been the very last word to have applied to her; but there was around her an atmosphere of freshness, health, and youth, pleasant as a breeze in spring.

For her attire, it was that notable grey silk gown--very simply made, with no fripperies or fandangos of any sort--reaching up to her throat and down to her wrists, where it had some kind of trimming of white fur, which made the skin beneath show exquisitely delicate.

"That is Miss March," said our landlady, when she had disappeared.

"Is it?" said John, removing his eyes from the shut door.

"She be very sensible-like, for a young body of seventeen; more sensible and pleasanter than her father, who is always ailing, and always grumbling. Poor gentleman!--most like he can't help it. But it be terrible hard for the daughter--bean't it, sir?"

"Very," said John. His laconism was extraordinary.

Still he kept standing by the kitchen-table, waiting till the last bandage had been sewn on Jack's cut forehead, and even some minutes after his protege had begun playing about as usual. It was I who had to suggest that we should not intrude in Mrs. Tod's kitchen any longer.

"No--certainly not. Come, Phineas. Mrs. Tod, I hope our presence did not inconvenience--the young lady?"

"Bless your heart, sir! nothing ever inconveniences she. There bean't a pleasanter young body alive. She'll often come into this kitchen--just as you did, gentlemen, and very happy to see you always," added Mrs. Tod, curtseying. "When Mr. March is asleep she'll come and sit for half an hour, talking to Tod and me; and playing with the baby--"

Here, probably at sound of its name, the individual alluded to set up, from its cradle in the corner, such a terrific squall, that we young men beat a precipitate retreat.

"So, John, your grey gown is discovered at last. She's young, certainly--but not exactly a beauty."

"I never said she was."

"A pleasant person, though; hearty, cheerful-looking, and strong. I can easily imagine her trotting over the common with her basket of eggs--chatting to the old woman, and scolding the naughty boy."

"Don't make fun of her. She must have a hard life with her old father."

Of course, seeing him take it up so seriously, I jested no more.

"By-the-by, did not the father's name strike you? MARCH--suppose it should turn out to be the very Mr. March you pulled out of Severn five years ago. What a romantic conjuncture of circumstances?"

"Nonsense," said John, quickly--more quickly than he usually spoke to me; then came back to wish me a kind goodbye. "Take care of yourself, old fellow. It will be nightfall before I am back from Norton Bury."

I watched him mount, and ride slowly down the bit of common--turning once to look back at Rose Cottage, ere he finally disappeared between the chestnut trees: a goodly sight--for he was an admirable horseman.

When he was gone, I, glancing lazily up at Mr. March's window, saw a hand, and I fancied a white-furred wrist, pulling down the blind. It amused me to think Miss March might possibly have been watching him likewise.

I spent the whole long day alone in the cottage parlour, chiefly meditating; though more than once friendly Mrs. Tod broke in upon my solitude. She treated me in a motherly,
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