Jonah [16]
And then his eyes flamed with foolish, drunken anger. "I earn the money, don' I, an' I spend it, don' I?" he inquired. And he refused to move till Chook answered his question.
The Push closed quietly in.
"'Oo are these blokes?" he asked uneasily.
"Pals o' mine, all good men an' true," said Chook, gaily.
They were near Eveleigh Station, and the street was clear. The red signal-lights, like angry, bloodshot eyes, followed the curve of the line as it swept into the terminus. An engine screamed hoarsely as it swept past with a rattle of jolting metal and the hum of swiftly revolving wheels. The time was come to strike, but the Push hesitated. The show of resistance, the spark to kindle their brutal fury, was wanting.
"Is this a prayer meetin'?" inquired Waxy Collins, with a sneer. "Biff him on the boko, an' we'll finish 'im in one act."
"Shut yer face," said Jonah, and he stepped up to the bricklayer.
"Ever 'ear tell of a copper boiler?" he inquired pleasantly.
"Ever meet a bleedin' bastard as put the cops on a bloke, an' got 'im three months' 'ard?" he inquired again.
The bricklayer stared at him open-mouthed, surprised and alarmed by the appearance of this misshapen devil with the glittering eyes. Then a sudden suspicion ran through the fuddled brain.
"I niver lagged 'im; s'elp me Gawd, I niver put nobody away to the cops!" he cried.
"Yer rotten liar, take that!" cried Jonah, and struck him full on the mouth with his fist. The man clapped his hand to his cut lip, and looked at the blood in amazement. The shock cleared his brain, and he remembered with terror the tales of deadly revenge taken by the pushes. He looked wildly for help. He was in a ring of mocking, menacing faces.
"Let 'im out," cried Jonah, in a sharp, strident voice. "The swine lives about 'ere; give 'im a run for 'is money."
The Push opened out, and the man, sobered by his danger, stood for a moment with bewildered eyes. Then, with the instinct of the hunted, he turned for home and ran. The Push gave chase, with Chook in the lead. Again and again the quarry turned, blindly seeking refuge in the darkest lanes.
As his pursuers gained on him he gave a hoarse scream--the dolorous cry of a hunted animal.
But it was the cat playing with the mouse. The bricklayer ran like a cow, his joints stiffened by years of toil; the larrikins, light on their feet as hares, kept the pace with a nimble trot, silent and dangerous, conscious of nothing but the desire and power to kill.
As he turned into Abercrombie Street, Chook ran level with him, then stooped swiftly and caught his ankle. The bricklayer went sprawling, and in an instant the Push closed in on the fallen man as footballers form a scrum, kicking the struggling body with silent ferocity, drunk with the primeval instinct to destroy.
"Nit!" cried Jonah; and the Push scattered, disappearing by magic over fences and down lanes.
The bricklayer had ceased to struggle, and lay in a heap. Five minutes later some stragglers, noticing the huddled mass on the road, crossed the street cautiously and stared. Then a crowd gathered, each asking the other what had happened, each amazed at the other's ignorance.
The excitement seemed to penetrate the houses opposite. Heads were thrust out of windows, doors were opened, and a stream of men and women, wearing whatever they could find in the dark, shuffled across the footpath.
Some still fumbled at their braces; others, draped like Greek statues, held their garments on with both hands. A coarse jest passed round when a tall, bony woman came up, a man's overcoat, thrown over her shoulders, barely covering her nightdress. They stood shivering in the cold air, greedy to hear what sensation had come to their very doors.
"It's only a drunken man."
"They say 'e was knocked down in a fight."
"No; the Push stoushed 'im, an' then cleared."
Someone struck a match and looked at his face; it was smeared with blood. Then the crowd rendered "first aid" in the street fashion.
"Wot's yer name? W'ere d'yer
The Push closed quietly in.
"'Oo are these blokes?" he asked uneasily.
"Pals o' mine, all good men an' true," said Chook, gaily.
They were near Eveleigh Station, and the street was clear. The red signal-lights, like angry, bloodshot eyes, followed the curve of the line as it swept into the terminus. An engine screamed hoarsely as it swept past with a rattle of jolting metal and the hum of swiftly revolving wheels. The time was come to strike, but the Push hesitated. The show of resistance, the spark to kindle their brutal fury, was wanting.
"Is this a prayer meetin'?" inquired Waxy Collins, with a sneer. "Biff him on the boko, an' we'll finish 'im in one act."
"Shut yer face," said Jonah, and he stepped up to the bricklayer.
"Ever 'ear tell of a copper boiler?" he inquired pleasantly.
"Ever meet a bleedin' bastard as put the cops on a bloke, an' got 'im three months' 'ard?" he inquired again.
The bricklayer stared at him open-mouthed, surprised and alarmed by the appearance of this misshapen devil with the glittering eyes. Then a sudden suspicion ran through the fuddled brain.
"I niver lagged 'im; s'elp me Gawd, I niver put nobody away to the cops!" he cried.
"Yer rotten liar, take that!" cried Jonah, and struck him full on the mouth with his fist. The man clapped his hand to his cut lip, and looked at the blood in amazement. The shock cleared his brain, and he remembered with terror the tales of deadly revenge taken by the pushes. He looked wildly for help. He was in a ring of mocking, menacing faces.
"Let 'im out," cried Jonah, in a sharp, strident voice. "The swine lives about 'ere; give 'im a run for 'is money."
The Push opened out, and the man, sobered by his danger, stood for a moment with bewildered eyes. Then, with the instinct of the hunted, he turned for home and ran. The Push gave chase, with Chook in the lead. Again and again the quarry turned, blindly seeking refuge in the darkest lanes.
As his pursuers gained on him he gave a hoarse scream--the dolorous cry of a hunted animal.
But it was the cat playing with the mouse. The bricklayer ran like a cow, his joints stiffened by years of toil; the larrikins, light on their feet as hares, kept the pace with a nimble trot, silent and dangerous, conscious of nothing but the desire and power to kill.
As he turned into Abercrombie Street, Chook ran level with him, then stooped swiftly and caught his ankle. The bricklayer went sprawling, and in an instant the Push closed in on the fallen man as footballers form a scrum, kicking the struggling body with silent ferocity, drunk with the primeval instinct to destroy.
"Nit!" cried Jonah; and the Push scattered, disappearing by magic over fences and down lanes.
The bricklayer had ceased to struggle, and lay in a heap. Five minutes later some stragglers, noticing the huddled mass on the road, crossed the street cautiously and stared. Then a crowd gathered, each asking the other what had happened, each amazed at the other's ignorance.
The excitement seemed to penetrate the houses opposite. Heads were thrust out of windows, doors were opened, and a stream of men and women, wearing whatever they could find in the dark, shuffled across the footpath.
Some still fumbled at their braces; others, draped like Greek statues, held their garments on with both hands. A coarse jest passed round when a tall, bony woman came up, a man's overcoat, thrown over her shoulders, barely covering her nightdress. They stood shivering in the cold air, greedy to hear what sensation had come to their very doors.
"It's only a drunken man."
"They say 'e was knocked down in a fight."
"No; the Push stoushed 'im, an' then cleared."
Someone struck a match and looked at his face; it was smeared with blood. Then the crowd rendered "first aid" in the street fashion.
"Wot's yer name? W'ere d'yer