Justice [25]
at a sound-and remains perfectly motionless. Then, with a heavy sigh, he moves to his work, and stands looking at it, with his head doom; he does a stitch or two, having the air of a man so lost in sadness that each stitch is, as it were, a coming to life. Then turning abruptly, he begins pacing the cell, moving his head, like an animal pacing its cage. He stops again at the door, listens, and, placing the palms of hip hands against it with his fingers spread out, leans his forehead against the iron. Turning from it, presently, he moves slowly back towards the window, tracing his way with his finger along the top line of the distemper that runs round the wall. He stops under the window, and, picking up the lid of one of the tins, peers into it. It has grown very nearly dark. Suddenly the lid falls out of his hand with a clatter--the only sound that has broken the silence--and he stands staring intently at the wall where the stuff of the shirt is hanging rather white in the darkness--he seems to be seeing somebody or something there. There is a sharp tap and click; the cell light behind the glass screen has been turned up. The cell is brightly lighted. FALDER is seen gasping for breath.
A sound from far away, as of distant, dull beating on thick metal, is suddenly audible. FALDER shrinks back, not able to bear this sudden clamour. But the sound grows, as though some great tumbril were rolling towards the cell. And gradually it seems to hypnotise him. He begins creeping inch by inch nearer to the door. The banging sound, travelling from cell to cell, draws closer and closer; FALDER'S hands are seen moving as if his spirit had already joined in this beating, and the sound swells till it seems to have entered the very cell. He suddenly raises his clenched fists. Panting violently, he flings himself at his door, and beats on it.
The curtain falls.
ACT IV
The scene is again COKESON'S room, at a few minutes to ten of a March morning, two years later. The doors are all open. SWEEDLE, now blessed with a sprouting moustache, is getting the offices ready. He arranges papers on COKESON'S table; then goes to a covered washstand, raises the lid, and looks at himself in the mirror. While he is gazing his full RUTH HONEYWILL comes in through the outer office and stands in the doorway. There seems a kind of exultation and excitement behind her habitual impassivity.
SWEEDLE. [Suddenly seeing her, and dropping the lid of the washstand with a bang] Hello! It's you!
RUTH. Yes.
SWEEDLE. There's only me here! They don't waste their time hurrying down in the morning. Why, it must be two years since we had the pleasure of seeing you. [Nervously] What have you been doing with yourself?
RUTH. [Sardonically] Living.
SWEEDLE. [Impressed] If you want to see him [he points to COKESON'S chair], he'll be here directly--never misses--not much. [Delicately] I hope our friend's back from the country. His time's been up these three months, if I remember. [RUTH nods] I was awful sorry about that. The governor made a mistake--if you ask me.
RUTH. He did.
SWEEDLE. He ought to have given him a chanst. And, I say, the judge ought to ha' let him go after that. They've forgot what human nature's like. Whereas we know. [RUTH gives him a honeyed smile]
SWEEDLE. They come down on you like a cartload of bricks, flatten you out, and when you don't swell up again they complain of it. I know 'em--seen a lot of that sort of thing in my time. [He shakes his head in the plenitude of wisdom] Why, only the other day the governor----
But COKESON has come in through the outer office; brisk with east wind, and decidedly greyer.
COKESON. [Drawing off his coat and gloves] Why! it's you! [Then motioning SWEEDLE out, and closing the door] Quite a stranger!
A sound from far away, as of distant, dull beating on thick metal, is suddenly audible. FALDER shrinks back, not able to bear this sudden clamour. But the sound grows, as though some great tumbril were rolling towards the cell. And gradually it seems to hypnotise him. He begins creeping inch by inch nearer to the door. The banging sound, travelling from cell to cell, draws closer and closer; FALDER'S hands are seen moving as if his spirit had already joined in this beating, and the sound swells till it seems to have entered the very cell. He suddenly raises his clenched fists. Panting violently, he flings himself at his door, and beats on it.
The curtain falls.
ACT IV
The scene is again COKESON'S room, at a few minutes to ten of a March morning, two years later. The doors are all open. SWEEDLE, now blessed with a sprouting moustache, is getting the offices ready. He arranges papers on COKESON'S table; then goes to a covered washstand, raises the lid, and looks at himself in the mirror. While he is gazing his full RUTH HONEYWILL comes in through the outer office and stands in the doorway. There seems a kind of exultation and excitement behind her habitual impassivity.
SWEEDLE. [Suddenly seeing her, and dropping the lid of the washstand with a bang] Hello! It's you!
RUTH. Yes.
SWEEDLE. There's only me here! They don't waste their time hurrying down in the morning. Why, it must be two years since we had the pleasure of seeing you. [Nervously] What have you been doing with yourself?
RUTH. [Sardonically] Living.
SWEEDLE. [Impressed] If you want to see him [he points to COKESON'S chair], he'll be here directly--never misses--not much. [Delicately] I hope our friend's back from the country. His time's been up these three months, if I remember. [RUTH nods] I was awful sorry about that. The governor made a mistake--if you ask me.
RUTH. He did.
SWEEDLE. He ought to have given him a chanst. And, I say, the judge ought to ha' let him go after that. They've forgot what human nature's like. Whereas we know. [RUTH gives him a honeyed smile]
SWEEDLE. They come down on you like a cartload of bricks, flatten you out, and when you don't swell up again they complain of it. I know 'em--seen a lot of that sort of thing in my time. [He shakes his head in the plenitude of wisdom] Why, only the other day the governor----
But COKESON has come in through the outer office; brisk with east wind, and decidedly greyer.
COKESON. [Drawing off his coat and gloves] Why! it's you! [Then motioning SWEEDLE out, and closing the door] Quite a stranger!