Killing Lincoln - Bill O'Reilly [48]
Clues such as this point to Stanton’s involvement, but no concrete connection has ever been proven. Circumstantially, he was involved. Secretary Stanton employed Baker, who was in regular contact with Surratt and Booth. Some historians believe that Stanton fired Baker as a cover and that the two remained in close contact.
Or so the elaborate theory goes.
Whether or not that is true, Stanton will be the sole reason that Baker’s role in the dramatic events of April 1865 is hardly over.
Booth is satisfied that his plan is simple enough that the synchronized slayings will not tax the mental capacities of his underlings. Now all he needs to do is find Lincoln.
The odds of the Lincolns’ remaining in the White House on such an auspicious night of celebration are almost nonexistent. The president and Mrs. Lincoln are known to be fond of the theater and prone to making their public appearances in such a venue. They will be either there or at one of the many parties being held to celebrate the city’s Grand Illumination.
If it is to be an Illumination party, Booth will canvass the city’s notable residences for signs of a celebration. Once the president is located, the next step will be waiting for a moment when he is unguarded, whereupon Booth can use his celebrity to gain entrance and then shoot him.
If it is to be the theater, the obvious choices are either the Grover or Ford’s, both of which are staging lavish productions. Booth must reacquaint himself with their floor plans so that when the moment comes he can act without thinking.
Booth turns the corner onto Pennsylvania Avenue. First stop: Grover’s Theater. The assassination will be tomorrow.
CHAPTER TWENTY-THREE
WEDNESDAY, APRIL 12, 1865
WASHINGTON, D.C.
AFTERNOON
Inside the White House, just a few blocks from where John Wilkes Booth is walking the streets, a beaming Mary Lincoln holds a slim leather-bound copy of Julius Caesar. She is in a good mood for a change, and the new book is certainly helping her disposition. The president will be thrilled by her purchase. This is most important to Mary Lincoln. Even in her lowest moods, she craves the attention and affection of her husband.
Lincoln’s fondness for all things Shakespeare is well known. While he enjoys lowbrow entertainment, like the comedian Barney Williams, who performs in blackface, he never misses the chance to attend a Shakespearean tragedy. During one two-month span in the winter of 1864, he saw Richard III, The Merchant of Venice, Hamlet, and, of course, Julius Caesar.
The actor playing all the lead roles was Edwin Booth, John’s older brother. In addition to his acting, he did the Lincolns an inadvertent favor by saving the life of their eldest son. When twenty-year-old Union officer Robert Todd Lincoln was shoved from a crowded railway platform into the path of an oncoming train, it was Edwin Booth who snatched him by the coat collar and pulled him back to safety. Robert never mentioned the incident to his father, but his commanding officer, Ulysses S. Grant, personally wrote a letter of thanks to the actor. Edwin’s brother’s reaction to this incident has never been determined—if he knew at all. This is the second remarkable coincidence