Killing Lincoln - Bill O'Reilly [78]
Secretary Seward then awakens on the bed. Something about the word “kill” jars him from his slumber.
Powell punches Fanny Seward hard in the face, instantly knocking her unconscious. A split second later he is on the bed, plunging his knife downward into Seward’s neck and shoulders.
The room is pitch-black, save for the sliver of light from the open door. Powell’s first thrust misses, making a hollow thud as it slams into the headboard. Seward desperately tries to roll away from his attacker and squeeze down into the gap between the mattress and the wall.
He doesn’t succeed. Powell kneels over him, stabbing Seward again and again and again. The secretary wears a splint on his broken jaw, which, luckily, deflects the knife away from the jugular vein, but it does little to protect the rest of his skull. The right side of his face is sliced away from the bone and now hangs like a flap. Blood jets from three deep punctures in his neck, drenching his now-useless bandages, his nightdress, and the white bedsheets and spattering all over Powell’s torso.
The assassin is almost finished. Powell brings up his knife for one final killer blow. But at that exact moment, Seward’s son Augustus enters the room. He is thirty-nine, a decorated graduate of West Point and a career army officer. He has fought in the Mexican War, battled the Apache, and seen action in the Civil War. Never once has he been injured. But now, that changes. Powell leaps at August Seward, stabbing him seven times. In the midst of the attack, Private Robinson staggers to his feet and rejoins the fight. For his trouble, Robinson is stabbed four more times.
Powell is finally exhausted. Lying in front of him are four human beings, all of them still alive. But Powell doesn’t know that. He steps over Fanny’s limp body and races from the room, still clutching his knife. At that very moment, State Department messenger Emerick Hansell arrives at the Seward home on official business. He sees Powell, covered with blood, running down the steps and turns to flee for his life. But Powell catches him, stabbing the courier just above the fourth vertebrae. Powell is in such a hurry, fortunately, that he pulls the knife back out before it can go any deeper, thus sparing Hansell’s life.
“I’m mad! I’m mad!” Powell screams as he runs into the night, hoping to scare off anyone who might try to stop him.
He is, however, anything but mad. Powell is as lucid as he is powerful. He now turns all his focus to the getaway. With adrenaline coursing through his veins, his senses heightened, and his broad shoulders aching from fists rained down upon him in the fight, he hurls the blood-covered knife into the gutter. He then looks right and left into the darkness for David Herold and their getaway horses. Seeing nothing, he listens for a telltale clip-clop of approaching horseshoes.
“Murder! Murder!” William Bell cries from the porch, risking his life by chasing after Powell. Soldiers come running from a nearby sentry box. Powell sees his horse now, tied to the tree where Herold left it. Realizing he has been betrayed, Powell feels his heart sink. He knows that without Herold he will be lost on the streets of Washington. Still, he can’t very well just stand around. He needs to get moving. Powell unties the horse and mounts up. He has the good sense to wipe the blood and sweat from his face with a handkerchief. Then, instead of galloping away, he kicks his heels gently into the horse’s flanks and trots casually down Fifteenth Street, trailed all the while by William Bell and his shouts of “Murder!” But instead of stopping him, the unsuspecting soldiers ignore