Kim (Barnes & Noble Classics Series) - Rudyard Kipling [13]
Kipling was admired by the psychoanalyst Sigmund Freud and had a strong influence on authors as varied as the Russian Isaak Babel, the German Bertolt Brecht, the Argentine Jorge Luis Borges, and the American Ernest Hemingway.19 Kim has been universally praised by many great writers for its sympathetic understanding of Indians and for its translation of their idiom into measured and dignified English. Edmund Wilson called it “an enchanting, almost a first-rate book.”20 T. S. Eliot thought it was Kipling’s “maturest work on India, and his greatest book.”21 Somerset Maugham believed it was “his masterpiece.”22 Just after the novel was published, Kipling’s older contemporary Henry James admired the richness of the characters and liveliness of their journey, and explained why the novel was such a joy to read:
The beauty, the quantity, the prodigality, the Ganges-flood, leave me simply gaping as your procession passes.... I find the boy himself a dazzling conception, but I find the Lama more yet—a thing damnably and splendidly done.... The whole idea, the great many-coloured poem of their relation and their wild Odyssey—[is] void of a false note and swarming with felicities that you can count much better than I. You make the general picture live and sound and shine, all by a myriad touches.23
Jeffrey Meyers, Fellow of the Royal Society of Literature, has published biographies of Katherine Mansfield, Wyndham Lewis, Ernest Hemingway, Robert Lowell and his circle, D. H. Lawrence, Joseph Conrad, Edgar Allan Poe, F. Scott Fitzgerald, Edmund Wilson, Robert Frost, Humphrey Bogart, Gary Cooper, George Orwell, Errol and Sean Flynn, and Somerset Maugham.
NOTES TO THE INTRODUCTION
1. Rudyard Kipling, Something of Myself: For My Friends Known and Unknown (Garden City, NY: Doubleday, Doran, 1937), pp. 3-4.
2. Rudyard Kipling, “Baa, Baa, Black Sheep.” In The Writings in Prose and Verse (New York: Charles Scribner’s Sons, 1907), vol. 6, p. 368.
3. Kipling, Something of Myself, p. 17.
4. Rudyard Kipling, Letters, 4 vols., edited by Thomas Pinney (Iowa City: University of Iowa Press, 1990-1999), vol. 1, p. 70.
5. Kipling, “The Man Who Would Be King,” Writings, vol. 5, p. 50.
6. Oscar Wilde, “The True Function and Value of Criticism,” in Kipling and the Critics, edited by Elliott Gilbert (New York: New York University Press, 1965), p. 7.
7. Kipling, Letters, vol. 2, p. 9.
8. Kipling, Letters, vol. 2, p. 335.
9. David Gilmour, The Long Recessional: The Imperial Life of Rudyard Kipling (New York: Farrar, Straus and Giroux, 2002), p. 214.
10. W. Somerset Maugham, introduction to A Choice of Kipling’s Prose (London: Macmillan, 1952), p. v.
11. Kipling, Letters, vol. 1, p. 98.
12. T. S. Eliot, “Rudyard Kipling,” in A Choice of Kipling’s Verse (1941; Garden City, NY: Doubleday Anchor Books, 1962), pp. 26-27.
13. Kipling, Letters, vol. 3, p. 11.
14. Kipling, Something of Myself, p. 152.
15. Kipling, Letters, vol. 1, p. 127.
16. Christmas Humphreys, Buddhism: An Introduction and Guide (London: Penguin, 1951), p. 190.
17. Maugham, Choice of Kipling’s Prose, p. xvii.
18. There are some striking similarities between Stein in Conrad’s Lord Jim (1900) and Lurgan in Kim, published the following year. Both Stein and Lurgan are exceptionally learned, forceful, and mysterious men. Their houses are filled with the curious items they have collected during long years in the East. Both have a powerful impact on the young heroes and send them into what Conrad calls the “destructive element.” Stein urges Jim to go to Patusan; Lurgan propels Kim into the Secret Service. Like Conrad, who was labeled “the Kipling of the Malay Archipelago,” Kipling defined his hero with the inclusive biblical phrase “one of us.”
19. See Jeffrey Meyers, “Kipling and Hemingway: The Lesson of the Master,” American Literature 56 (March 1984), pp. 88-99.
20. Edmund Wilson, “The Kipling That Nobody Read,” in The Wound and the Bow: Seven Studies in Literature (1941; New York: Oxford University Press, 1965), p. 100.
21. Eliot, Choice