Kushiel's Dart - Jacqueline Carey [91]
I had not told him everything, nor could I. Even now, I merely shook my head. "No. Never mind. Let's go on, to the temple."
We rode in silence for a while. "There will be other princes," he remarked presently, glancing at me. "And one day, when you have made your marque, you will no longer be a vrajna servant, you know."
The temple of Azza beckoned in the distance, slanting beams of sunlight setting its copper dome ablaze. I cocked my head at Hyacinthe. "And will I then be worthy, O Prince of Travellers?"
Hyacinthe flushed. "I didn't mean . . . oh, never mind. Come on, I'll share the offering with you."
"I don't need chanty from you," I spat at him, digging my heels into the mare's sides. She obliged by breaking into a brief trot, which set me to bouncing ungracefully in the saddle.
"We give each other what we can spare, and what we can accept," he said cheerfully, grinning as he drew alongside. "And that is as it ever has been between us, Phedre. Friends?"
At that, I made another face, but he was right. "Friends," I agreed reluctantly, for I loved him dearly despite our quarrels. "And you will share the offering by half, yes?"
So it was that we came, bickering mildly, to the temple of Azza, and gave our horses into the hostler's keeping. I was not surprised to see that the temple was well-attended that day. House Trevalion was of Azza's lineage, and I had seen the black armbands. Inside the temple, hundreds of candles burned and banks of flowers lined the walls. The priests and priestesses of Azza wore saffron tunics with the crimson chlamys, or half-cloak, fastened with bronze brooches. Each of them wore the bronze mask of Azza, individual features lost behind the mask's forbidding beauty; though none, I daresay, was so finely wrought as the one Baudoin had worn to the Midwinter Masque.
We gave our offerings unto a priestess, who bowed, and gave in turn to each of us a small bowl of incense, and we took our places in line to await our turns. I gazed at the statue of Azza upon the altar as we waited. The same face echoed in a dozen masks about us gazed forth above the altar, proud and beautiful in its disdain. Azza held one hand open, palm upwards; in the other, he held a sextant, for that was his gift to mankind. Knowledge, forbidden knowledge, to navigate the world that was.
Hyacinthe went first, and then it was my turn. I knelt before the offering-fire, and the priest at the altar sprinkled me with his aspergillum, murmuring a blessing. "If I have sinned against the scions of Azza, forgive me," I whispered, tilting my bowl. Grains of incense spilled like gold into the flame, which burned briefly with a greenish tinge. The rising smoke stung my eyes. Mindful of the line behind me, I rose and gave my bowl over to the waiting acolyte, then hurried to join Hyacinthe.
The temple of Elua was quieter. No doubt people bore in mind that if Lyonette and Baudoin de Trevalion were scions of Elua, so much the more so was House Courcel, against whom they had committed treason.
There is no roof on Elua's temples, only pillars to mark its four quarters. Always, by tradition, the inner sanctum itself stands open beneath the heavens, unpaved, free to grow as it will. In the City's Great Temple, ancient oak trees flank the altar and a profusion of growth flourishes amidst the temple grounds, flowers and weeds alike lovingly tended. By the time we arrived, it was nigh-dusk, and the sky overhead was a deepening hue, the first stars emerging as pinpricks of light.
Barefoot and robed in blue, a priestess met us with the kiss of greeting, and an acolyte knelt to remove our shoes, that we might walk unshod in the presence of Blessed Elua. Our offerings were taken, and scarlet anemones pressed into our hands, to lay upon the altar.
The statue of Elua that stands in the great temple is one of the oldest works of D'Angeline art. By some reckoning, it is crude, but I have never thought so. It is carved of marble, and vaster than the size of a man. He stands with unbound hair and an eternal