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Last Man in Tower - Aravind Adiga [125]

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recruiting grounds of the mafia, was just around the corner. Any of these unshaven men by the side of the road, with nothing to do but suck tea, would do it for Mr. Shah. A knife would be stuck into his neck. Worse: his knees would be smashed. He might be turned into a cripple. Blinded.

Beads of sweat fell from his neck all the way down to the tip of his spine.

Wasn’t Gaurav right—wasn’t it just pride that kept him from running to Mr. Shah and saying: “I accept your offer. Now leave me alone!”

Smoke blew at him from the charcoal kebab grills outside the continuous cheap restaurants that line Mohammad Ali Road. Masterji turned into one restaurant, which was so filthy he knew he had broken his one-rat rule even before going in. A small figure crouching by the door folded its legs to let him in.

He sat down on one of the communal benches, where labourers waited for tea and bread and biscuits on wet dirty plates.

“What?” the waiter asked, swatting a dirty red rag on the table, in simulation of an act of cleaning.

“Tea. And—put all the sugar in the world in it. Understand?”

“All the sugar in the world,” the waiter said. He grinned.

He came back with a glass of tea and a packet of milk biscuits. Standing at the end of the table he ripped open the packet, letting the biscuits spill tunktunktunk into a stainless-steel plate.

The other customer at the table—Masterji noticed him now—a gaunt, middle-aged man in a dirty blue shirt, looked Muslim because of his beard. Masterji guessed he was one of those who had been pulling carts on the road—he thought he could even identify the man’s wooden cart resting against the door of the café. The labourer picked a biscuit from the stainless-steel plate and chewed. Done with it, he breathed, picked a second biscuit, and chewed. Each movement of his bony jaws spoke of fatigue; the permanent fatigue of men who have no one to care about them when they work and no one to care about them after they work. The thin body broadcast a raw animal silence. Middle-aged? No. His hair was greying at the edges, but youth had only recently been exorcised from his face. Twenty-seven or twenty-eight at the most. Masterji watched this young man with sunken, shocked eyes and barely enough strength to lift one milk biscuit at a time. This is his daily life. Pulling that cart and coming here for these biscuits, he thought.

The tired Muslim man returned Masterji’s gaze. Their eyes met like foreign languages, and the labourer, without moving his lips, spoke at last.

Have you never before noticed how many are all alone?

Leaving the restaurant, Masterji held out a five-rupee note to the waiter, and pointed to the plate of biscuits, still being consumed, one at a time.

Outside, a car with a huge plastic Red Bull on top of it was cruising down the road. The bull glowed in neon, and its snout blared a popular Hindi song, as the car stopped to hand out free cans of Red Bull to onlookers. The beat of the song tuned Masterji’s blood. Until now he had only been conscious of fighting against someone: that builder. Now he sensed he was fighting for someone. In the dark dirty valley under the concrete overpass half-naked labourers pushed and slogged, with such little hope that things might improve for them. Yet they pushed: they fought. As Mary was fighting to keep her hut by the nullah. And maid-servants like her across Vakola were fighting to keep their huts.

Strips of incandescence from behind the buildings fell on the road, and people crowded into them as if they were the only points of fording the traffic. Illuminated in these strips, the straining coolies looked like symbols: hieroglyphs of a future, a future that was colossal. Masterji gazed at the light behind the dirty buildings. It looked like another Bombay waiting to be born.

He knew that Ronak had a place in this new Bombay. Mary and all the other maid-servants had a place in it. Each one of the solitary, lost, broken men around him had a place in it.

But for now their common duty was to fight.

He heard the tuba again: the marching band, as if it had

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