Leave It to Me - Bharati Mukherjee [80]
Devi tries to leave her Schenectady past behind when she enters California. However, the individuals she meets seem vaguely familiar. Gabe, a neighbor, “looked like Wyatt, and kind of talked like Wyatt, too.” Devi immediately recognizes that Ham Cohan’s film series is a “rip-off of Flash’s Boss Tong of Hong Kong.” Is Gabe a second Wyatt? Is Ham a second Flash? Is, Devi able to abandon her past, or is this entrance into California a reincarnation not only of herself, but of her past as well?
While working at Leave It to Me, Devi encounters several individuals who, unlike Frankie, seem to know exactly who they are. Devi’s describes Stark Swann as a man who is comfortably “the center of his universe.” Devi seduces and drugs Stark in order to carve “an endearment on his left buttock: CW. My homage to my neighborhood graffitiste, Cee-Double-You.” “CW” expresses Devi’s critique of Swann’s tendency to see (Cee) only a reflection of himself (Double-You) in everyone he meets. She insists that her revenge is an act of the “real women.” What does she mean by “real women”? Does Devi achieve real woman status in the novel? Does this mean that she does in fact have an identity that cannot be manipulated by someone else?
Devi hires Fred Pointer to point the way to her parents. The evidence that piles up to prove that her parents are Jess DuPree and Romeo Hawk seems officially convincing: conversation transcripts, death notices, court records, a photograph, passports. Romeo claims his daughter immediately. Jess, however, denies her relationship to Devi to the novel’s end. Is Devi ever able to feel certain about her parentage? Are you?
“When you inherit nothing, you are entitled to everything: that’s the Devi Dee philosophy.” Devi’s search for her identity reveals remarkable similarities between herself and her bio-parents. Devi and Jess both seduce the same man, work at the same job, and drug inconvenient lovers with Mandrax. Devi and Romeo wield the same cleaver to violent ends. Are these similarities a result of Devi’s inheritance or her entitlement? Is she responsible for her actions? Do you excuse her because of her parentage, because of the actions of her bio-parents, or not at all?
Sex complicates Devi’s relationships with her bio-parents. What impact does the fact that Jess and Devi share a lover have upon Devi’s attempts to relate to Jess as a mother? Why does her bio-father, Romeo, enter Devi’s life dressed as a woman? Why does he undress “with the taunting efficiency of a professional stripper” to reveal to his daughter that he is actually a man?
Devi believes that her search for her own identity was “started” by a poem. She discovers her bio-Dad by reading “poetic pernees,” and believes that she hears the story of her conception while listening to Jess quote an Emily Dickinson verse: “My beginning.… I’ve just heard my beginning.” Later Devi realizes that her life reflects a “romance novel off a rack” more than an Emily Dickinson poem. Still, her identity seems to reflect literary productions: poems, romances, movies. How does Devi discover her identity through literature? Do you think of Devi as a real person or as a literary creation—a myth/fantasy?
In the prologue of Leave It to Me old Hari tells the children a bedtime story in which the Hindu goddess Devi slays the Buffalo Demon. Despite the disturbing violence of old Hari’s tale, the children are “comforted by story” and “curl into sleep.” They aren’t troubled by the violence because they “already know the story’s ending,” and because it is story and not reality. The novel is just as violent as the prologue. Are you troubled by the violence of the novel, or does it leave you, like the children, comforted? In what ways does the violent prologue foreshadow the novel?
Why does Leave It to Me include a catalogue of acts of violence,