Leaves of Grass - Walt Whitman [173]
The true lesson of a nation's light in the sky,
(More shining than the Cross, more than the Crown,)
The height to be superb humanity.
Sounds of the Winter
Sounds of the winter too,
Sunshine upon the mountains—many a distant strain
From cheery railroad train—from nearer field, barn, house,
The whispering air—even the mute crops, garner'd apples, corn,
Children's and women's tones—rhythm of many a farmer and of flail,
An old man's garrulous lips among the rest, Think not we give out yet,
Forth from these snowy hairs we keep up yet the lilt.
A Twilight Song
As I sit in twilight late alone by the flickering oak-flame,
Musing on long-pass'd war-scenes—of the countless buried unknown
soldiers,
Of the vacant names, as unindented air's and sea's—the unreturn'd,
The brief truce after battle, with grim burial-squads, and the
deep-fill'd trenches
Of gather'd from dead all America, North, South, East, West, whence
they came up,
From wooded Maine, New-England's farms, from fertile Pennsylvania,
Illinois, Ohio,
From the measureless West, Virginia, the South, the Carolinas, Texas,
(Even here in my room-shadows and half-lights in the noiseless
flickering flames,
Again I see the stalwart ranks on-filing, rising—I hear the
rhythmic tramp of the armies;)
You million unwrit names all, all—you dark bequest from all the war,
A special verse for you—a flash of duty long neglected—your mystic
roll strangely gather'd here,
Each name recall'd by me from out the darkness and death's ashes,
Henceforth to be, deep, deep within my heart recording, for many
future year,
Your mystic roll entire of unknown names, or North or South,
Embalm'd with love in this twilight song.
When the Full-Grown Poet Came
When the full-grown poet came,
Out spake pleased Nature (the round impassive globe, with all its
shows of day and night,) saying, He is mine;
But out spake too the Soul of man, proud, jealous and unreconciled,
Nay he is mine alone;
—Then the full-grown poet stood between the two, and took each
by the hand;
And to-day and ever so stands, as blender, uniter, tightly holding hands,
Which he will never release until he reconciles the two,
And wholly and joyously blends them.
Osceola
When his hour for death had come,
He slowly rais'd himself from the bed on the floor,
Drew on his war-dress, shirt, leggings, and girdled the belt around
his waist,
Call'd for vermilion paint (his looking-glass was held before him,)
Painted half his face and neck, his wrists, and back-hands.
Put the scalp-knife carefully in his belt—then lying down, resting
moment,
Rose again, half sitting, smiled, gave in silence his extended hand
to each and all,
Sank faintly low to the floor (tightly grasping the tomahawk handle,)
Fix'd his look on wife and little children—the last:
(And here a line in memory of his name and death.)
A Voice from Death
A voice from Death, solemn and strange, in all his sweep and power,
With sudden, indescribable blow—towns drown'd—humanity by
thousands slain,
The vaunted work of thrift, goods, dwellings, forge, street, iron bridge,
Dash'd pell-mell by the blow—yet usher'd life continuing on,
(Amid the rest, amid the rushing, whirling, wild debris,
A suffering woman saved—a baby safely born!)
Although I come and unannounc'd, in horror and in pang,
In pouring flood and fire, and wholesale elemental crash, (this
voice so solemn, strange,)
I too a minister of Deity.
Yea, Death, we bow our faces, veil our eyes to thee,
We mourn the old, the young untimely drawn to thee,
The fair, the strong, the good, the capable,
The household wreck'd, the husband and the wife, the engulfed forger
in his forge,
The corpses in the whelming waters and the mud,
The gather'd thousands to their funeral mounds, and thousands never
found or gather'd.
Then after burying, mourning the dead,
(Faithful to them found or unfound, forgetting not, bearing the
past, here new musing,)
A day—a passing moment or an hour—America itself bends low,
Silent, resign'd, submissive.
War,