Leaving the Atocha Station - Ben Lerner [54]
“I’m not sure,” she said.
“If it’s O.K., I will stay here for a while. Then I have to meet someone,” I said.
“O.K.,” she said. I couldn’t believe she wasn’t going to ask me who. “Take those keys,” she said, pointing to a hook by the door. “You can leave the elevator unlocked; the bigger key is for the front,” she said.
“O.K.,” I said, my fury tempered by the offer of the keys.
“Let’s go over the poems tomorrow,” she said. “I want to select a couple of the new ones to translate.”
“Sure,” I said. I didn’t care about the poems.
“Unless you don’t care about the poems,” she said. Her eyes were neither wide nor squinted and she was not smiling. I was pleased to see her angry.
“I’m not very interested in poetry at a time like this,” I said, suggesting she was focused on petty personal concerns at a moment of historical unrest. “Tomorrow is the election,” I said, as though she might have forgotten.
She looked angrier. “And what are you planning to do tomorrow?” she asked. “How are you going to participate in this historic moment?”
“It’s not my country,” I said, my face asserting this statement had many simultaneous registers of significance. I thought I saw her sound them in her head.
“Bueno,” she said, which can mean anything, and left.
I walked onto the balcony to find it was fully night and watched her go. When I couldn’t see her anymore I went back into the apartment. I looked around her desk, found what looked like a diary, and opened it; it was full of poems in what I supposed was her hand. They were replete with words I didn’t know and that I assumed must be very specific nouns: grackle, night-blooming jasmine, hollow-point shells—I had no idea. I assigned a meaning more or less at random to each unfamiliar word and then the poems were lovely. I began to read one aloud but my voice sounded strange in the empty apartment and I stopped, again remembering Zalacaín. I searched the journal to see if there were peoples’ names in any of the poems, Adán, Carlos, etc.; there weren’t. On one of the pages there was a stain, probably coffee, but it made me think of blood. I imagined Teresa writing in the journal on a train and I imagined the train exploding.
I put the journal down. I felt stupid for not going to the protests and decided I would find them, find Teresa. I took the keys and left, walking first to PP headquarters. Nobody was there except a few journalists, a few police. I asked a teenager on a bench where the protests were; he just laughed at me. I walked to Colón but the plaza was empty. From Colón I moved up El Paseo de Recoletos, which became El Paseo del Prado. It felt strange to be looking for a crowd, to be wandering around in search of History or Teresa. I walked all the way to Atocha. I saw candles and small groups of people but no protest. For the first time since I had been in Spain, I wished I had a phone. I walked back down El Paseo del Prado and onto Huertas. I passed a bar that had a TV on and I could see images of a swarming crowd. I went in and ordered a whiskey and saw the protestors in front of the PP headquarters. At first I thought it was footage from earlier in the day, but then I noticed it was dark. Is this living, I asked the bartender, pointing to the screen. He blinked at me. Is this live, I corrected myself. He nodded. I drank and watched and eventually went home and fell sleep.
__________________________
While Spain was voting I was checking e–mail. According to the internet, protests continued at the PP headquarters. Then, while Spain was voting, someone rang my buzzer. I thought it was Teresa and I was about to let her in when I realized it might be Isabel, whom I did not want to see. I decided to risk it, hit the buzzer, and heard someone running up the steps. By the time I heard a knock at my door I had deduced it was Arturo; he was the only person I knew who would run. I opened the door and he looked excited, like he hadn’t had much sleep. He sat down and asked for a cigarette and I gave him one and he lit it and began to speak.