Legacy of the Dead - Charles Todd [30]
“My guess is that whoever wrote such letters knew they’d be believed. And that’s the next point. Why would people so readily believe them? Why didn’t the first person to find one on his doorstep march straight to the police or to the accused and make it clear that this wasn’t going to continue?”
McKinstry took a long breath. “You are asking me to answer you that she’s guilty. The accused. Where there’s smoke, there’s fire, they say. But I’m not prepared to believe that. I’d rather believe that the letter-writer chose her— his—targets very carefully. Some people relish gossip if it’s shocking enough.”
“Will you make a list of all the people who have admitted to receiving these letters? What they do for a living. What reason they might have had for disliking the accused. How well they might have known her.”
“Yes, sir, I’ll do that today. But, begging your pardon, sir, I don’t see how that will help you find out the truth about the bones said to be Lady Maude Gray’s daughter’s.” He shook his head. “And that’s another whole kettle of fish.”
“It is,” Rutledge agreed. “But in my experience, where coincidence dovetails so perfectly, it becomes suspect. First we have these letters, apparently accepted as truthful. And now you tell me there was another one, from here—or from Glasgow, depending on how reliable the postmark may be— only this anonymous writer stoutly defends the accused, and in so doing puts her in even greater jeopardy. A charge of murder, not mere wantonness. There’s a search of the inn—where a body turned up. Only it isn’t the boy’s mother. Now, who knew enough about the history of The Reivers that he or she sent Inspector Oliver on such a wild-goose chase? But it does whet Oliver’s appetite for the hunt, and he begins to search for missing persons. The upshot of that is a set of unidentified bones and a connection with a woman in England whose daughter has not been seen since 1916. Now we have larger questions to answer than who wrote the letters. I wonder, was someone counting on just that?”
There was confusion in McKinstry’s eyes. “I don’t follow you, sir.”
But Hamish did. He said, “Is the woman in yon cell a murderer—a victim—or a scapegoat?”
AS RUTLEDGE TOOK his leave, McKinstry said, “The worrisome thing in all of this—to my way of thinking—is that no one has lifted a hand for Fiona. No one has spoken up for her. Not Mr. Elliot, not Mr. Robson, not Mr. Burns—the fiscal. Not Inspector Oliver. It’s as if she’s been found guilty already, and the trial’s a travesty that’ll put a stamp on it for the world to see: We were right in what we did. A jury has said as much. And the truth will be buried with her. That keeps me awake at night.” He ticked the words off on his right hand. “Minister, Chief Constable, procurator-fiscal, policeman. And what if she’s innocent and they hang her?”
WALKING BACK TO his motorcar at the hotel, Rutledge went over again the information McKinstry had laid out for him. What intrigued him was how skillfully balanced each scrap of the puzzle seemed to be.
Like a game of chess, where the player knows in advance the moves of each piece on the board. In chess there were two players. Attack and counterattack. In life, there would be no certainties about the outcome. . . .
Before Rutledge left the house, the constable had taken out a copy he had made of the letter that had been addressed to Mr. Elliot, the minister. He read it aloud. As Rutledge listened, he found himself thinking that Elliot would have been better advised to go directly to the woman herself and ask for some explanation. Instead he’d chosen to involve the police, indicating that he had already half believed the malicious accusations brought to him by his parishioners. That would be worth exploring. . . .
Taking the copy from McKinstry, Rutledge had scanned it. It was untutored, apparently the work of a woman who earnestly tried to defend—and instead unwittingly pointed a finger of guilt. If it was a hoax, it was very cleverly devised. There