Les miserables (Abridged) - Victor Hugo [144]
These funds, composed of purses and watches, gold rings and silver crosses, gathered at the harvest time in the furrows sown with corpses, did not form a great total, and had not lasted this canteen owner, now become a tavern-keeper, very long.
Thénardier had that indescribable stiffness of gesture which, with an oath, reminds you of the barracks, and, with a sign of the cross of the seminary. He was a fine talker. He was fond of being thought learned. Nevertheless, the schoolmaster remarked that he made mistakes in pronunciation. He made out travellers’ bills in a superior style, but practised eyes sometimes found them faulty in orthography. Thénardier was sly, greedy, lounging, and clever. He did not disdain servant girls, consequently his wife had no more of them. This giantess was jealous. It seemed to her that this little, lean, and yellow man must be the object of universal desire.
Thénardier, above all a man of astuteness and poise, was a rascal of the subdued order. This is the worst species; there is hypocrisy in it.
Not that Thénardier was not on occasion capable of anger, quite as much as his wife; but that was very rare, and at such times, as if he were at war with the whole human race, as if he had in him a deep furnace of hatred, as if he were of those who are perpetually avenging themselves, who accuse everybody about them of the evils that befall them, and are always ready to throw on the first comer, as legitimate grievance, the sum-total of the deceptions, failures, and calamities of their life—as all this leaven worked in him, and boiled up into his mouth and eyes, he was frightful. Woe to him who came within reach of his fury, then!
Besides all his other qualities, Thénardier was attentive and penetrating, silent or talkative as occasion required, and always with great intelligence. He had somewhat the look of sailors accustomed to squinting the eye in looking through spy-glasses. Thenardier was a statesman.
Every new-comer who entered the tavern said, on seeing the Thénardiess: There is the master of the house. It was an error. She was not even the mistress. The husband was both master and mistress. She performed, he created. He directed everything by a sort of invisible and continuous magnetic action. A word sufficed, sometimes a sign; the mastodon obeyed. Thénardier was to her, without her being really aware of it, a sort of being apart and sovereign. She had the virtues of her order of creation; never would she have differed in any detail with “Monsieur Thénardier”—nor—impossible supposition—would she have publicly quarrelled with her husband, on any matter whatever. Never had she committed “before company” that fault of which women are so often guilty, and which is called in parliamentary language: discovering the crown. Although their accord had no other result than evil, there was food for contemplation in the submission of the Thénardiess to her husband. This bustling mountain of flesh moved under the little finger of this frail despot. It was, viewed from its dwarfed and grotesque side, this great universal fact: the homage of matter to spirit; for certain deformities have their origin in the depths even of eternal beauty. There was somewhat of the unknown in Thénardier; hence the absolute empire of this man over this woman. At times, she looked upon him as upon a lighted candle; at others, she felt him like a claw.
This woman was a formidable