Les miserables (Abridged) - Victor Hugo [211]
The child lived, in this absence of affection, like those pale plants that spring up in cellars. He felt no suffering from this mode of existence, and bore no ill-will to anybody. He did not know how a father and mother ought to be.
But yet his mother loved his sisters.
We had forgotten to say that on the Boulevard du Temple this boy went by the name of little Gavroche. Why was his name Gavroche? Probably because his father’s name was Jondrette.
To break all links seems to be the instinct of some wretched families.
The room occupied by the Jondrettes in the Gorbeau tenement was the last at the end of the hall. The adjoining cell was tenanted by a very poor young man who was called Monsieur Marius.
Let us see who and what Monsieur Marius was.
[Book Two, “The Grand Bourgeois,” does not appear in this abridged edition.]
BOOK THREE
THE GRANDFATHER AND THE GRANDSON
1 (2)
ONE OF THE RED SPECTRES OF THAT TIMEcl
WHOEVER, at that time, had passed through the little town of Vernon, and walked over that beautiful monumental bridge which will be very soon replaced, let us hope, by some horrid wire bridge, would have noticed, as his glance fell from the top of the parapet, a man of about fifty, with a leather cap on his head, dressed in trousers and waistcoat of coarse grey cloth, to which something yellow was stitched which had been a red ribbon, shod in wooden shoes, browned by the sun, his face almost black and his hair almost white, a large scar upon his forehead extending down his cheek, bent, bowed down, older than his years, walking nearly every day with a spade and a pruning knife in his hand, in one of those walled compartments, in the vicinity of the bridge, which, like a chain of terraces border the left bank of the Seine,—charming inclosures full of flowers of which one would say, if they were much larger, they are gardens, and if they were a little smaller, they are bouquets. All these inclosures are bounded by the river on one side and by a house on the other. The man in the waistcoat and wooden shoes of whom we have just spoken lived, about the year 1817, in the smallest of these inclosures and the humblest of these houses. He lived there solitary and alone, in silence and in poverty, with a woman who was neither young nor old, neither beautiful nor ugly, neither peasant nor bourgeois, who waited upon him. The square of earth which he called his garden was celebrated in the town for the beauty of the flowers which he cultivated in it. Flowers were his occupation.
By dint of labour, perseverance, attention, and pails of water, he had succeeded in creating after the Creator, and had invented certain tulips and dahlias which seemed to have been forgotten by Nature. He was ingenious; he anticipated Soulange Bodin in the use of raised beds of peat moss for the culture of rare and precious shrubs from America and China. By break of day, in summer, he was in his walks, digging, pruning, weeding, watering, walking in the midst of his flowers with an air of kindness, sadness, and gentleness, sometimes dreamy and motionless for whole hours listening to the song of a bird in a tree, the prattling of a child in a house, or oftener with his eyes fixed on some drop of dew at the end of a spear of grass, of which the sun was making a carbuncle. His table was very frugal, and he drank more milk than wine. An urchin would make him give way, his servant scolded him. He was timid, so much so as to seem unsociable; he rarely went out, and saw nobody but the poor who rapped at his window, and his cure Abbé Mabeuf, a good old man. Still, if any of the inhabitants of the city or strangers, whoever they might be, curious to see his tulips and roses, knocked at his little house, he opened his door with a smile. This was the brigand of the Loire.