Les miserables (Abridged) - Victor Hugo [249]
4
COMPOSITION OF THE BAND
THESE FOUR BANDITS formed a sort of Proteus, winding through the police and endeavouring to escape from the indiscreet glances of Vidocq “under various form, tree, flame, and fountain,” lending each other their names and their tricks, concealing themselves in their own shadow, each a refuge and a hiding-place for the others, throwing off their personalities, as one takes off a false nose at a masked ball, sometimes simplifying themselves till they are but one, sometimes multiplying themselves till Coco Lacour himself took them for a multitude.
These four men were not four men; it was a sort of mysterious robber with four heads preying upon Paris by wholesale; it was the monstrous polyp of evil which inhabits the crypt of society.
By means of their ramifications and the underlying network of their relations, Babet, Gueulemer, Claquesous, and Montparnasse controlled the general ambush business of the Department of the Seine. Originators of ideas in this line, men of midnight imagination came to them for the execution. The four villains being furnished with the single draft they took charge of putting it on the stage. They worked upon scenario. They were always in condition to furnish a company proportioned and suitable to any enterprise which stood in need of aid, and was sufficiently lucrative. A crime being in search of arms, they sublet accomplices to it. They had a company of actors of darkness at the disposition of every cavernous tragedy.
They usually met at nightfall, their waking hour, in the waste grounds near La Salpêtrière. There they conferred. They had the twelve dark hours before them; they allotted their employ.
Patron-Minette, such was the name which was given in subterranean society to the association of these four men. In the old, popular, fantastic language, which now is dying out every day, Patron-Minette means morning, just as entre chien et loup [between dog and wolf], means night. This appellation, Patron-Minette, probably came from the hour at which their work ended, the dawn being the moment for the disappearance of phantoms and the separation of bandits. These four were known by this title. When the Chief Judge of the Circuit Court visited Lacenaire in prison, he questioned him in relation to some crime which Lacenaire denied. “Who did do it?” asked the judge. Lacenaire made this reply, enigmatic to the magistrate, but clear to the police: “Patron-Minette, perhaps.”
BOOK EIGHT
THE CRIMINAL POOR
1 (2)
A FIND
MARIUS still lived in the Gorbeau tenement. He paid no attention to anybody there.
At this time, it is true, there were no occupants remaining in the house but himself and those Jondrettes whose rent he had once paid, without having ever spoken, however, either to the father, or to the mother, or to the daughters. The other tenants had moved away or died, or had been turned out for not paying their rent.
One day, in the course of this winter, the sun shone a little in the afternoon, but it was the second of February, that ancient Candlemas-day whose treacherous sun, the precursor of six weeks of cold, inspired Matthew Laensberg with these two lines, which have deservedly become classic:
Qu‘il luise ou qu’il luiserne,
L‘ours rentre en sa caverne. dj
Marius had just left his; night was falling. It was his dinner hour; for it was still necessary for him to go to dinner, alas! oh, infirmity of the ideal passions.dk
He had just crossed his door-sill which Ma‘am Bougon was sweeping at that very moment, muttering at the same time this memorable monologue:
“What is there that is cheap now? everything is expensive. There is nothing but people