Les miserables (Abridged) - Victor Hugo [294]
The Bourbons left us with respect, but not regret. As we have said, their misfortune was greater than they. They faded away on the horizon.
The Revolution of July immediately found friends and enemies throughout the world. The former rushed towards it with enthusiasm and joy, the latter turned away; each according to his own nature. The princes of Europe, at the first moment, owls in this dawn, closed their eyes, shocked and stupefied, and opened them only to threaten. A fright which can be understood, an anger which can be excused. This strange revolution had hardly been a shock; it did not even do vanquished royalty the honour of treating it as an enemy and shedding its blood. In the eyes of the despotic governments, always interested that liberty should calumniate herself, the Revolution of July had the fault of being formidable and yet being mild. Nothing, however, was attempted, or plotted against it. The most dissatisfied, the most irritated, the most horrified, bowed to it; whatever may be our selfishness and our prejudices, a mysterious respect springs from events in which we feel the intervention of a hand higher than that of man.
The Revolution of July is the triumph of the Right prostrating the fact. A thing full of splendour.
The right prostrating the fact. Thence the glory of the Revolution of 1830, thence its mildness also. The right, when it triumphs, has no need to be violent.
The right is the just and the true.
The peculiarity of the right is that it is always beautiful and pure. The fact, even that which is most necessary in appearance, even that most accepted by its contemporaries, if it exist only as fact, and if it contain too little of the right, or none at all, is destined infallibly to become, in the lapse of time, deformed, unclean, perhaps even monstrous. If you would ascertain at once what degree of ugliness the fact may reach, seen in the distance of the centuries, look at Machiavelli. Machiavelli is not an evil genius, nor a demon, nor a cowardly and miserable writer; he is nothing but the fact. And he is not merely the Italian fact, he is the European fact, the fact of the sixteenth century. He seems hideous, and he is so, in presence of the moral idea of the nineteenth.
This conflict of the right and the fact endures from the origin of society. To bring the duel to an end, to amalgamate the pure ideal with the human reality, to make the right peacefully interpenetrate the fact, and the fact the right, this is the work of the wise.
2
BADLY SEWED TOGETHER
BUT THE WORK of the wise is one thing, the work of the clever another.
The Revolution of 1830 soon ran aground.
As soon as a revolution strikes a reef, clever people carve up the wreck.
The clever, in our day, have arrogated for themselves the title of statesmen, so that this word, statesman, has come to be somewhat of a slang word. Indeed, let no one forget that wherever one finds cleverness only, there is inevitably pettiness. To say “the clever ones” amounts to saying “mediocrity.”
Just as saying “statesmen” is sometimes tantamount to saying “traitors.