Lethal Passage_ The Story of a Gun - Erik Larson [27]
He planned to bring his gun to school for the express purpose of scaring Billy Cutter, his tormentor, and at last getting some respect. He had bought the gun two months before, a Cobray M-11/9 semiautomatic pistol capable of firing thirty-two rounds before requiring the shooter to reload. His mother did not know about his acquisition. Nicholas told Adams he had hidden the gun in a bird cage, but Adams believed he probably kept it in his attic.
“I was scared,” Nicholas told the detective, “because I didn’t know how I would feel with a gun at school.”
He packed his backpack and caught his usual bus. He attended the first of his classes. “I was looking for him from the beginning,” Nicholas said. “I wasn’t angry … I wanted to scare him, to make him see how much of a wimp he was in front of everyone.”
During Nicholas’s ride to school, the knowledge of what he carried in his backpack and what he could do with it deeply frightened him. “I was scared,” he said. “I was looking for Billy, but I also was scared.”
At one point, he considered abandoning his mission. He could not find the boy and was surprised at the fear he felt walking around school with a gun. “I was kind of thinking about just hiding the gun and getting it later on … take it home and just leave it.”
“Just forget the whole thing?” Adams prompted.
“Well, sort of, yeah, I mean, I wasn’t planning to shoot them.”
Briefly he had imagined an alternative means of getting back at Billy Cutter. “I was thinking about having someone do something to him. Well, like, you know, beat him up and teach him not to pick on people. Just do something to him, you know. I wanted to scare him. That’s what I really wanted to do.”
CHAPTER FIVE
THE GUN
THE BALTIMORE COUNTY POLICE SHOOTING RANGE occupies a wooded area just north of Towson, Maryland, where the broad six-lane strip roads of Baltimore city taper to rolling two-lane highways. I heard the range the moment I stepped from my car, the sound like something you would get if you put a microphone beside a package of microwave popcorn in midpop. The range was a flat plane carved from a hillside so as to leave an earthen cliff at one end, which serves as a backstop to keep stray rounds from bounding north into Baltimore County horse country. Colonel Supenski arrived carrying a gray attaché case and led me onto the range where a group of county corrections officers was undergoing pistol training. He asked their instructor to have the group stand down for a few minutes, even though he and I were headed for the far end of the range roughly one hundred yards away. His caution was a measure of the deep respect police officers have for the quirky dangers of bullets and guns. During my pursuit of Nicholas Elliot’s gun, I often observed a subtle dance that law-enforcement people do whenever an amateur in their midst handles a gun, whether the gun is loaded or not. As the gun shifts, they shift, but ever so slightly in an instinctive, drilled-in twitch meant to ensure that if an imaginary line were drawn outward from the muzzle, it would never intersect their bodies.
Supenski occupies an at-times uncomfortable position in the gun debate. On the one hand, he is a big fan of guns. I accompanied him to a gun show in Westminster, Maryland, one Sunday morning. Despite his constant contact with guns he still could not resist handling some of the handguns we encountered, especially the old collector’s guns and the “tricked out” competition guns with their scopes, compensators, and hand-checked grips. “I grew up in the era of the B westerns,” he told me. “Loved them, still love them. My single most prized possession is an original Colt single-action ‘cowboy’ gun. Nickel-plated, hand-engraved, ivory stock.” But the Colonel, as everybody calls him, also believes in reasonable controls to force a heightened level of responsibility in the sale and use of firearms. This has not won him many friends among the gunslingers of America. He received a lot of sober stares from dealers at the gun