Lethal Passage_ The Story of a Gun - Erik Larson [77]
“I was like wondering where my mom was,” Lora recalled a long while later as she sat facing a courtroom that had suddenly gone dead quiet. “We weren’t really concerned or anything, but when I first entered the auditorium, this girl said to me—me and my friends were laughing and stuff because we didn’t really think anything was going on—and this girl said to me, ‘Someone has been shot,’ but it wasn’t my mom. It was another teacher, and I was like—I couldn’t understand. I was like, ‘Somebody has been shot at school?’
“We prayed and stuff that everything would be all right, and then we just like left it up to the Lord. We just sat there really being quiet and stuff. I asked Will—I said, ‘Have you seen Mom?’
“And he said, ‘No.’ ”
CHAPTER TWELVE
THE CULTURE
NICHOLAS ELLIOT HAD COME TO SCHOOL that Friday prepared for combat. He had filled his backpack with his gun, hundreds of rounds of ammunition, and a variety of battle accessories. The most striking thing about his cargo, however, was not the inherent firepower—although it was prodigious—but rather the weapons savvy evident in what this sixteen-year-old boy had done to the gun and its ammunition in an apparent effort to make them even more efficient at killing.
He did not carry his six clips haphazardly, but had “jungle-clipped” them using tape to bind them in pairs in such a way that the instant he expended one clip he could simply turn the pair over and jam in the other end. Each assembly was capable of providing him with sixty-four rounds of virtually continuous fire, which, barring jams, he could have pumped from the gun at a rate approaching that of a light machine gun. He had used a length of rope to fashion a combat sling for his Cobray similar in concept to slings attached to the compact Uzis and Heckler & Koch submachine guns used by antiterrorist squads to help them better control their weapons during combat. He carried a crude silencer made from a pipe wrapped in fabric, and a “brass catcher” he had made from cloth and tape, to be attached to his gun to catch ejected cartridge cases. “A gun enthusiast might use a brass catcher to catch the brass for reloading,” said Donald Adams, the Virginia Beach homicide detective. “A murderer or a person about to commit a crime might use one to collect the evidence.”
His six clips gave him a total of 192 cartridges ready to fire, but he came prepared for the possibility that he might use up all those rounds and need more. He carried hundreds of extra cartridges, including several boxes containing thirty-two rounds each—exactly enough to refill an expended clip. To speed refilling, Nicholas had inserted a thin, white string through the base of each magazine to produce a primitive speed loader. When tugged, Adams told me, the string would pull down the spring-driven feeder inside the magazine, thus easing the resistance. “He could hold the string down by clamping it under his foot,” Adams explained. Nicholas could then insert each cartridge into the magazine more quickly and with less strain. Adams could not at first figure out what kind of string Nicholas had used. It was thicker than fishing line and very strong. After a while he decided he knew what it was: dental floss.
Finally, Nicholas modified even the bullets themselves. He filed a groove into the tip of at least one bullet apparently in the hopes of turning it into what Adams called a “dumdum,” a bullet that breaks apart on impact, thereby in theory becoming considerably more deadly. Nicholas modified other bullets by drilling from the tip downward to form “hollow points.” On impact, hollow-point bullets spread into lethal mushrooms that produce bigger holes and more potent neural disruption than solid rounds. Commercially made hollow-points are the bullets of choice among law-enforcement officers