Letters to Dead Authors [2]
earnest, how magical, how rare, how lonely in our literature is the beauty of your sentences! "I can't express the charm of them" (so you write of George Sand; so we may write of you): "they seem to me like the sound of country bells, provoking I don't know what vein of music and meditation, and falling sweetly and sadly on the ear." Surely that style, so fresh, so rich, so full of surprises--that style which stamps as classical your fragments of slang, and perpetually astonishes and delights--would alone give immortality to an author, even had he little to say. But you, with your whole wide world of fops and fools, of good women and brave men, of honest absurdities and cheery adventurers: you who created the Steynes and Newcomes, the Beckys and Blanches, Captain Costigan and F. B., and the Chevalier Strong--all that host of friends imperishable--you must survive with Shakespeare and Cervantes in the memory and affection of men.
LETTER--To Charles Dickens
Sir,--It has been said that every man is born a Platonist or an Aristotelian, though the enormous majority of us, to be sure, live and die without being conscious of any invidious philosophic partiality whatever. With more truth (though that does not imply very much) every Englishman who reads may be said to be a partisan of yourself or of Mr. Thackeray. Why should there be any partisanship in the matter; and why, having two such good things as your novels and those of your contemporary, should we not be silently happy in the possession? Well, men are made so, and must needs fight and argue over their tastes in enjoyment. For myself, I may say that in this matter I am what the Americans do NOT call a "Mugwump," what English politicians dub a "superior person"--that is, I take no side, and attempt to enjoy the best of both.
It must be owned that this attitude is sometimes made a little difficult by the vigour of your special devotees. They have ceased, indeed, thank Heaven! to imitate you; and even in "descriptive articles" the touch of Mr. Gigadibs, of him whom "we almost took for the true Dickens," has disappeared. The young lions of the Press no longer mimic your less admirable mannerisms--do not strain so much after fantastic comparisons, do not (in your manner and Mr. Carlyle's) give people nick-names derived from their teeth, or their complexion; and, generally, we are spared second-hand copies of all that in your style was least to be commended. But, though improved by lapse of time in this respect, your devotees still put on little conscious airs of virtue, robust manliness, and so forth, which would have irritated you very much, and there survive some press men who seem to have read you a little (especially your later works), and never to have read anything else. Now familiarity with the pages of "Our Mutual Friend" and "Dombey and Son" does not precisely constitute a liberal education, and the assumption that it does is apt (quite unreasonably) to prejudice people against the greatest comic genius of modern times.
On the other hand, Time is at last beginning to sift the true admirers of Dickens from the false. Yours, Sir, in the best sense of the word, is a popular success, a popular reputation. For example, I know that, in a remote and even Pictish part of this kingdom, a rural household, humble and under the shadow of a sorrow inevitably approaching, has found in "David Copperfield" oblivion of winter, of sorrow, and of sickness. On the other hand, people are now picking up heart to say that "they cannot read Dickens," and that they particularly detest "Pickwick." I believe it was young ladies who first had the courage of their convictions in this respect. "Tout sied aux belles," and the fair, in the confidence of youth, often venture on remarkable confessions. In your "Natural History of Young Ladies" I do not remember that you describe the Humorous Young Lady. {1} She is a very rare bird indeed, and humour generally is at a deplorably low level in England.
Hence come all sorts of mischief, arisen since you left us;
LETTER--To Charles Dickens
Sir,--It has been said that every man is born a Platonist or an Aristotelian, though the enormous majority of us, to be sure, live and die without being conscious of any invidious philosophic partiality whatever. With more truth (though that does not imply very much) every Englishman who reads may be said to be a partisan of yourself or of Mr. Thackeray. Why should there be any partisanship in the matter; and why, having two such good things as your novels and those of your contemporary, should we not be silently happy in the possession? Well, men are made so, and must needs fight and argue over their tastes in enjoyment. For myself, I may say that in this matter I am what the Americans do NOT call a "Mugwump," what English politicians dub a "superior person"--that is, I take no side, and attempt to enjoy the best of both.
It must be owned that this attitude is sometimes made a little difficult by the vigour of your special devotees. They have ceased, indeed, thank Heaven! to imitate you; and even in "descriptive articles" the touch of Mr. Gigadibs, of him whom "we almost took for the true Dickens," has disappeared. The young lions of the Press no longer mimic your less admirable mannerisms--do not strain so much after fantastic comparisons, do not (in your manner and Mr. Carlyle's) give people nick-names derived from their teeth, or their complexion; and, generally, we are spared second-hand copies of all that in your style was least to be commended. But, though improved by lapse of time in this respect, your devotees still put on little conscious airs of virtue, robust manliness, and so forth, which would have irritated you very much, and there survive some press men who seem to have read you a little (especially your later works), and never to have read anything else. Now familiarity with the pages of "Our Mutual Friend" and "Dombey and Son" does not precisely constitute a liberal education, and the assumption that it does is apt (quite unreasonably) to prejudice people against the greatest comic genius of modern times.
On the other hand, Time is at last beginning to sift the true admirers of Dickens from the false. Yours, Sir, in the best sense of the word, is a popular success, a popular reputation. For example, I know that, in a remote and even Pictish part of this kingdom, a rural household, humble and under the shadow of a sorrow inevitably approaching, has found in "David Copperfield" oblivion of winter, of sorrow, and of sickness. On the other hand, people are now picking up heart to say that "they cannot read Dickens," and that they particularly detest "Pickwick." I believe it was young ladies who first had the courage of their convictions in this respect. "Tout sied aux belles," and the fair, in the confidence of youth, often venture on remarkable confessions. In your "Natural History of Young Ladies" I do not remember that you describe the Humorous Young Lady. {1} She is a very rare bird indeed, and humour generally is at a deplorably low level in England.
Hence come all sorts of mischief, arisen since you left us;